Remodernist Painter and Poet Bill Lewis at a recent exhibit in the UK
But where does imagination end and reality begin?
-Dr Julian Karswell
Carl Jung was a visionary psychiatrist who understood religion, spirituality and mysticism as key elements of the human experience. In his work he developed the concept of synchronicity, the significant coincidence. It’s when things happen that seem meaningfully related, but which happen without any apparent cause. For Jung it was a demonstration of the collective unconscious in operation, a universal awareness that everyone shares. In my life experiences synchronicity is a common phenomenon.
I recently experienced an amazing moment of synchronicity. It involved artist and poet Bill Lewis. Bill is one of the original British Stuckist artists, having been part of the seminal Medway Poets group even before the art movement began. Bill Lewis has continued his work as a Remodernist artist, and as I got involved with the international movement, I made his acquaintance through Facebook of all things. Since then we’ve exchanged books and our thoughts of the mysteries of art and life. It’s one of the wonders of this age, how we can connect with interesting people half a world away.
Reading “The Book of Misplaced But Imperishable Names” by Bill Lewis at a Phoenix AZ poetry event
Bill Lewis with The Secret Kingdom
Bill has had many intense moments of synchronicity, so his role in my recent experience is no surprise. One evening just before Christmas I was coming home from work, driving down a short cut through the alley behind our house, when one of the neighborhood feral cats ran in front of my car.
The cat was far ahead of me, it was in no peril. In the dark twilight all I saw was the indistinct bobbing of its mostly white body. The sight reminded me of a creepy passage from an old favorite story of mine, “Casting the Runes,” by M. R. James.
At the beginning of the story an evil warlock puts on a magic lantern show that traumatizes the local children. The images included “a horrible hopping creature in white.” The glimpse of the cat in motion triggered a memory of that description, although I haven’t read the story in ages.
When I got home moments later there was a package waiting for me that had arrived that day in the mail. It was an unexpected Christmas gift from Bill Lewis. I couldn’t wait until Xmas, I tore right into it. It was a DVD of the classic British horror movie, “Night of the Demon,” and the recut American version “Curse of the Demon.” This film is based on the story “Casting the Runes” by M. R. James.
I was so moved by this experience I ended up creating a painting about it, featured in the current exhibit “BOOKED: Contemporary Literary Art.”
Richard Bledsoe “A Horrible Hopping Creature in White” acrylic on canvas 16″ x 20″
The connotations of this event are very interesting to me. A key plot point of the story is how the attention of paranormal forces get passed along by means of a rune inscribed slip of paper delivered to an unsuspecting recipient. In an interview, Bill Lewis describes inspiration being passed along like a virus between carriers. I see a connection in these models.
I don’t see the demonic content of this particular transmittal as an ominous thing. If anything, it’s a cautionary example, a call to examine my own motivations and actions. The warlock in the story and movie abused his knowledge selfishly, evoking energy in an effort to build his own power, and he was destroyed by it. In this unexpected and meaningful gift, I saw not a demon, but a demonstration of wisdom. Thank you Bill!