Tracey Emin with her “art”
WESTERN FREE PRESS: My latest article on the corruption and manipulations at the heart of our cultural industry, and examination of the possible motivations. Supporting observations provided by George Orwell.
“Tracey Emin is little known in America, outside of artsy circles. I get the impression it’s different in England, where she’s more of a tabloid figure, notoriously milking the old shock-the-bourgeoisie poses so dear to the moneyed culture elites. My Bed is simply a collection of Emin’s dirty linens and assorted refuse moved from her home into a museum, and proclaimed to be cutting edge art. This gesture was what first got her noticed as an art world player.
“My Bed can be seen as emblematic of the non-art favored by pretentious metropolitans these days, an unskilled accumulation of dingy objects supposedly transmuted into art by the alchemy of dislocation. In a home the collection of soiled belongings would just be low grade squalor. Move them into a gallery or museum, and the theory is the new context should apparently spark some amazing mental gymnastics of Questioning and Challenging and Transgressing. It’s a pathetic substitute for artistic achievement, but it’s about all the current ersatz-intelligentsia can offer up…
“The phenomena of a Tracey Emin is a codification of the worst traits in contemporary society: plutocratic influence hawking a type of nihilism, all tarted up with tawdry narcissism and brazen incompetence.”
Clink on the link to read the whole thing.