Richard Bledsoe “Two Gardens” acrylic on canvas 24″ x 30″
It was that time again. For the last three years I’ve taken part in Camelback Bible Church‘s 48 Hour Create-A-Thon. Starting on Friday night February 24, a group of artists gathered at the church, where we were presented with our inspirational theme. By 4pm on Sunday February 26, we needed to have a completed artwork created on site, ready to share at a reception. Throughout the weekend, the public was invited to visit with us to see the artistic process unfold.
This year I had a different experience than how the 2016 Create-a-Thon started. For 2017 we had two juxtaposing inspirational passages: Genesis 2:8-17, the description of the Garden of Eden, and Matthew 26:36-46, the story of Jesus’s agony in the Garden of Gethsemane, where He prayed to escape his destiny if possible, but put himself in God’s hands.
This year, as soon as I heard the subject matter, the vision came. I saw the image in my mind; now I just had to bring it out so everyone else could see it.
I immediately laid in broad planes of textured colors. I don’t like working straight off a white canvas. In this shot I’ve actually flipped the canvas over to get better access to the blue area; in the completed work, it’s the upper right corner. I stayed until about 9 pm that night, just getting the under painting laid in.
A fast start
I was there around 9am the next morning, and stayed until almost 5pm, a good solid working day. I didn’t even take a break for lunch, as the church provided us lots of good snacks, and cup after cup of coffee.
No time to lose, had to get the drawing in right away
The first thing I did Saturday was crudely block in my two essential elements: Christ and the Tree of Knowledge of Good and Evil. Then, with wide swoops from the shoulder, I dragged loops of white paint over the blue, and gray over the yellow. These were the faint beginnings of Eden’s hazy atmosphere and Gethsemane’s tangled branches. The rest of my time spent on this painting was spent revising and refining these loose beginnings.
An action shot from the 48 Hour Create-A-Thon
My wife Michele Bledsoe was there for support. She wrote her own blog post about the experience, “Marathon Painting and the Art of Sitting on the Sidelines.” She spent her time drawing and taking pictures and videos. Michele spends a lot of time on her art. She jokes if there is ever a 480 Hour Create-A-Thon, she might take part.
By the time I came back Sunday morning, I was well positioned on the painting, and I spent time on all those little details and touches that can make or break a painting. One of my ongoing quotes about this stage is “That’s why painters go mad.” Anyone who has ever seriously engaged in painting has probably had that experience when the most minuscule adjustment or mark can make a work spring to life-or crush it into a mess. As an intuitive painter, I never know in advance what mark that may be. I have to discover it.
To see my art is to see me, performing my role as a conduit for something else
So the question for me becomes, if the Create-A-Thon shows I can complete a resolved and meaningful painting in really less than 48 hours, why do I normally work on them for months?
In that environment, in that experience, the Spirit really moved me, I suppose.
The Remodernist’s job is to bring God back into art but not as God was before. Remodernism is not a religion, but we uphold that it is essential to regain enthusiasm (from the Greek, en theos to be possessed by God).