A Beginning in Yellow
I am currently at work on my latest large scale piece-large for me being in this case 36″ x 36″.
I had originally built this stretcher with a different image in mind for it. But life intervened before I got started. New thoughts developed and took on more urgency. The current subject came to me in a vision, as my imagery often does. I changed my mind about what I was going to commit the next several months to working on.
Right now I don’t have to fulfill any commission. I don’t have create a piece for any particular theme show or call for entries. Being so free to choose out of the many painting ideas I have could be challenging. However, as an intuitive artist, I am provided guidance. I know the right idea to proceed with because it’s the one I keep thinking about. I can’t get out of my mind. I’m going to need to paint it out.
I don’t like the white void of a fresh canvas. It lacks an entry point. I almost always begin a painting by laying down a field of color. In this case, it was several coats of Lemon Yellow acrylic paint, all over.
Then I was ready to draw in the major form of the piece.
A rough sketch to begin, right onto the canvas
I would never use a projector to translate imagery onto a canvas. It’s an unsavory practice, an unacceptable shortcut. Real art will never arise from a shortcut mentality.
Be a brave artist. Use your own hand, heart, mind and eye. Don’t rely on a machine to make your discoveries for you.
I also don’t work from separately created preparatory drawings, even though I know that’s the classical technique. I dive in and paint it out directly on the canvas. It’s a flexible, forgiving medium. Most of my painting time is spent fixing mistakes and shoring up weak spots. Since I’m working from imagination, this involves lots of staring, and comparing what is happening in the painting to what I can see in my mind.
Recognizing which mistakes to keep is what makes a painting come alive.
Like many of my works, this vision came presented complete with a title. My new painting is called “The War You Will Always Have With You.”
I do enjoy puns.
I feel this work is very much in sync with the spirit of this age, and now was time for it to be made. If I serve as an effective conduit, by the time the piece is finished, its relevance should be apparent to everyone, without me even having to use words to say it. The painting will speak for itself.
I will continue to provide periodic updates as the painting progresses.