From December 24, 2014
Richard Bledsoe “The Bear That Ate the Stars” oil on canvas 30″ x 36″
As a young artist, as I started to discover what truly intrigued me in my art, I found I was following parallel explorations to the Symbolist artists. Even as I’ve become aware of the cutting edge contemporary movement of Remodernism, following my own natural inclinations keeps my works grounded in Symbolist traditions. Remodernist artists find inspiration in the art forms of the past, expressed not by mindless imitation or appropriation, but by finding in ourselves the universal source of love and excitement that moved those earlier artists.
Fascination with the fantastic, mythical and religious imagery, the spiritual connotations of darkness, light and color, an underlying sense of order; these concerns of the Symbolists continue to arise spontaneously in my own art.
This article touches on the works and life of formative symbolist Gustave Moreau. Key quote:
” Eccentricity and provocation are two defining characteristics of symbolist artists, all of whom created their own artificial world, built on their own imagination and emotions. Rejecting naturalism and impressionism, at the same time the artists challenged themselves to stimulate and evoke the observer’s emotions. Longing for sensation and artfully hidden implications, it seems only logical that every artist brings his unique touch to a common concept.”
RICHARD BLEDSOE is a visual story teller; a painter of fables and parables. He received his BFA in Painting from Virginia Commonwealth University. Richard has been an exhibiting artist for over 25 years, in both the United States and internationally. He lives and paints happily in Phoenix, Arizona, with his wife Michele and cat Motorhead. He is the author of Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization.
Learn more About My Art: Visionary Experience
My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.
Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART
Visit other posts for more commentary on the state of the arts.
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