Stupid Climate Activists Make Stupid Attacks on Art

Art world links which caught my eye…

An Ignorant Assault On Civilization

For some reason environmental cultists have decided art vandalism is a nifty PR stunt for their hoax of an emergency.

The Washington Post covered the most recent revolting action in London where two “activists” from Just Stop Oil threw tomato soup on a Van Gogh sunflowers painting, and then glued their hands to the wall.

The painting was safely behind glass, and was not damaged.

Newsweek notes there have been about dozen of these attacks. So far no art has been damaged, but it seems like only a matter of time before these assholes escalate and maim something irreplaceable.

Being the darkness that makes democracy die, the Washington Post of course accepts the protesters’ wild climate premises.

Since the pandemic failed to crush society into a decimated docile serf class, now the elites have had to replace one overblown crisis with another. They’re trotting out the exhausted old climate change tropes again, but this time the kamikaze Marxists occupying the governments of the West are flying into action. They intend to catastrophically starve their populations of food and energy now to prevent imaginary problems in the future.

Astroturfed entities like Just Stop Oil and state run media like the Washington Post are sleeper cells that have been activated to reinforce the top down message of assumed doom. The hype generated provides a fig leaf for the disastrous deindustrialization the WEF insists on.

Columnist Philip Kennicot spouts the propaganda:

“When I see activists attack art, I feel the same revulsion most people do — and the sense of revulsion seems to be general and widespread. After two young supporters of the climate-change advocacy group Just Stop Oil threw cans of tomato soup Friday on a painting by Van Gogh in London’s National Gallery, social media accounts erupted in outrage. Much of this was from people who are no less committed to stopping global warming, including much of the art world, where the climate emergency is at the top of the agenda for many artists, curators and critics.

“But while I can’t defend the acts of Just Stop Oil, I can defend the anger of its supporters, who will experience the effects of global collapse further into the future than I will. They must grapple with existential decisions unprecedented even during some of the worst crises in human history, including whether to have children and continue the species, or to forgo offspring whose lives may be short and miserable.”

Kennicott’s big problem with the assaults on artistic masterpieces is that the vandals are preaching to the choir. The Postmodern art world already enforces adherence to leftist dogma as a prerequisite for participation. He protests that establishment art enthusiasts and cultural institution apparatchiks most likely embrace the climate alarmist narrative, and don’t need their opinions and actions tweaked by threats.

“Art attacks seem to be increasing. In July, the Italian group Ultimate Generazione (or Last Generation) directed its ire against Botticelli’s “Primavera” at the Uffizi Gallery in Florence, and in August activists from the same group glued their hands to the base of an ancient statue at the Vatican. All this is misdirected and counterproductive. It makes the urgency of the crisis seem ridiculous to people who are already disinclined to give credence to the science of global warming. And they create a false moral choice for those who love both art and the environment.

“As 21-year-old Phoebe Plummer, one of the two activists in London, asked during Friday’s incident, ‘Are you more concerned about the protection of a painting, or the protection of our planet and people?’ The premise of her question, and the people whom she was addressing, are both poorly chosen. Very likely, given the self-selecting audience that visits the National Gallery, most of the onlookers would say: ‘Both.’

But the most disgusting part of the article is when Kennicott claims the defilers are attacking art because they just care about it so much. It’s classic abuser gaslighting.

“And if you look more closely at how these attacks are executed, it’s clear they express more a desperate love of art than mere rage or contempt for it.”

A twitter post summed up the reckless delusions of these masterpiece menacing guerillas.

The clueless crusaders don’t realize stopping oil without any effective, scalable replacement technologies means the death of millions and even civilization itself.

Radicals coined the term “useful idiots” to describe the dolts they tricked into advancing their agendas. I think we can remove the useful part.

In my 2018 book Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization, I foresaw what actions the left would take, and what the stakes were.

The Modern age was the greatest liberation of humanity in history. As we became more efficient in providing the necessities of existence, we had more freedom to determine what kind of lives we wanted to live.
As Modernism rose to highlight the potentials of individual initiative, leftist political movements counterattacked. Their goal was to squash humanity back into undifferentiated, subservient masses.
The elitists understood to maintain power, they had to undermine resistance. That’s why the top down cultural forces have made Postmodernism so prevalent.
Using mass media to communicate their sickening message, the establishment made dispiriting Postmodernism the terrain we all must navigate, the atmosphere we all must breathe, the environment we all must adapt to.
But this effort at control loses its presumptive prestige once its mechanics and motivations are exposed. How can the spell of Postmodernism best be broken?
You can’t beat something with nothing, even if the something is as stupid and unfulfilling as Postmodernism. A credible alternative must be established.
Remodernism is the recognition that Western civilization is still mighty. Remodernism knows we can still use our talents to create unprecedented growth. Remodernism is understanding our best days are still ahead of us, if we make the right choices, and do the needed work.
We will demonstrate this in art, to begin with. Imagine a new, decentralized creative class not invested in trashing our culture, but in celebrating it. What a choice to present to our citizens. Uplifting, honest artistry will change the tone of our entire society. Where we go one, we go all.
Renew the arts, and renew the civilization.


I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

Learn more About My Art: Visionary Experience

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.


Visit other posts for more commentary on the state of the arts.

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