BOOKS-Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization

Richard Bledsoe “Among the Fortunate” oil on canvas 32″ x 32″ 

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REMODERN AMERICA: How the Renewal of the Arts Will Change the Course of Western Civilization

Art reminds us of who we are, and shows what we can be. But these days the visual arts are undergoing a crisis of relevance. Art has been weaponized into an attack on the foundations of civilization itself, full of examples of irrelevance, carrion, excrement, pornography, and debris.  Instead of being reverenced as a communion for all, contemporary art is being treated as a wedge, a social signifier of elitist attitudes. In doing so, the New Aristocracy of the Well-Connected block access to powerful resources.

Our self-aggrandizing ruling class’s tawdry and nihilistic vision of life is being inflicted upon us all. They are trying to remake the world in their own rotten image. They deny our society the inspiration to live up to ideals, the encouragement to think and feel deeply, the yearning to harmonize with truth and beauty. As a result, the mass audience has turned away. We’ve come to call this assault Postmodernism.

The elitists understood to maintain power, they had to undermine resistance. That’s why the top-down cultural forces have made Postmodernism so prevalent. Using mass media to communicate their sickening message, the establishment made dispiriting Postmodernism the terrain we all must navigate, the atmosphere we all must breathe, the environment we all must adapt to.

Postmodernism is now the consensus worldview of the ruling elite. It is also the reason their current hierarchy is weakened, and failing. Their would-be tool of domination is destroying them. They’ve been hollowed out by their own corrupt pretensions; their collapse is inevitable.

Postmodernism is dead. This is the beginning of the Remodern era.

Art is a more enduring and vital human experience than the power games of a greedy and fraudulent ruling class. The story of the 21st Century will be the dismantling of centralized power. As always, this course of history was prophesied by artists—those who are intuitively aware of the path unfolding ahead. Their works become maps so that others may find the way.

As Andrew Breitbart stated, “Politics is downstream from culture.” A ragtag group of UK artists fired the first shot against the abuses and ineptitude of the entrenched Postmodern establishment. What these artists initiated has spread across the world, in popular culture, the media, politics, gaining ever deeper significance and consequences. Enduring changes start in the arts.

Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization provides an historical overview of how art shapes society and politics. This book exposes how the contemporary art world is used as a tool of oppression. Most importantly, Remodern America provides the solution, and reveals how the power of art can be reclaimed as a force for liberty.

Remodernism is art of the people, by the people, for the people. Our freedom here in the United States should be producing the most moving and accomplished art in human history. America can be a world leader in culture, not just in military and industrial might. We, the people, deserve a better reflection of our character than the appalling mockery of the art favored by the elitists. So we, the people, are going to make it happen.

Remodernism is the recognition that Western civilization is still mighty. Remodernism knows we can still use our talents to create unprecedented growth. Remodernism is understanding our best days are still ahead of us, if we make the right choices, and do the needed work.

We will demonstrate this in art, to begin with. Imagine a new, decentralized creative class not invested in trashing our culture, but in celebrating it. What a choice to present to our citizens! Uplifting, honest artistry will change the tone of our entire society. Where we go one, we go all.

Renew the arts, and renew the civilization. Together, we can make art great again.

 

“This is our moment in the mighty continuum of art and life. Real art knows no boundaries; it communicates across all times, across all cultures. Art is as much an aspect of our species as the opposable thumb, and just as prevalent. The art world can be as big as all of humankind, if we do it right. Remodernism accepts responsibility for the art of our times, conveying the wisdom of tradition into the opportunities of the future. Remodernism is love made visible.”

-from The Remodern America Manifesto 

 

 

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ARTICLE: Activist Art Exposed as an Elitist Bait and Switch

Graphically Dull: The Stilted Stylings of Turner Prize nominee Forensic Architecture

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“The beginning of wisdom is the definition of terms.”

― Socrates

It’s that time again. Time for ruling class apparatchiks to announce the latest slate of non-artists to be nominated for what is advertised as a prestigious award for art:

THE GUARDIAN: Turner prize shortlist pits research agency against film-makers. “A research agency that investigates international crimes and injustice, and comprises architects, film-makers, archaeologists, investigative journalists, lawyers and scientists, has been nominated for the 2018 Turner prize. Forensic Architecture, which has about 16 members and is based at Goldsmiths, University of London, will compete for the 33rd edition of the prize against three solo artists – Naeem Mohaiemen, Charlotte Prodger and Luke Willis Thompson.The list is more overtly political than in previous years, featuring artists tackling issues of post-colonialism and migration, queer identity, human rights abuses and racial violence. Once again, it raises questions about what precisely art is. The three solo artists primarily use film, whether shot on 35mm or iPhone.”

Over in the UK, the Tate Museum’s Turner Prize is one of those self-serving yearly events elitists create to congratulate themselves for extreme cleverness. Named after an actual artist, the great English painter J.M.W. Turner, this supposed recognition of achievement is anything but. First awarded in 1984, the Turner Prize has degenerated into the establishment’s way of trying to enforce pointless Postmodernism as the standard for contemporary art. It’s almost like they purposely look for the most numbskull non-art possible to distort the public’s perception of what art is, and what it does.

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.If wisdom begins with the definition of terms, what do you call efforts to deliberately lie about what those definitions actually are? The manipulation of our shared understanding is too calculated to be merely inept; too consistent to be ascribed to simple ignorance; too debased to be just misguided. There is strategy here, relentlessly advanced and ferociously enforced.

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Misdirection is at the core of the whole rotten Postmodern gambit. “Who is there among you, who, if his son. asks him for bread, will give him a stone?” The contemporary technocratic managerial class, that’s who. Our culture is saturated with globalist diktats that are fundamentally at odds with reality.  They not only give us stones for bread, they give us leftist activism in place of art, and tell us to swallow it.

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The art world makes a great example of the failure of elitist equivocations, because it exposes the lies with visual evidence. In their latest event to assure us that 2 + 2 = 5, the Tate scraped up some real scintillating content. Take for example the Guardian’s article headliner, Forensic Architecture. As their website describes:

“Forensic Architecture is an independent research agency based at Goldsmiths, University of London. Our interdisciplinary team of investigators includes architects, scholars, artists, filmmakers, software developers, investigative journalists, archaeologists, lawyers, and scientists. Our evidence is presented in political and legal forums, truth commissions, courts, and human rights reports.We also undertake historical and theoretical examinations of the history and present status of forensic practices in articulating notions of public truth.”

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Not impressed by the vast list of ax-grinding bureaucracies and committees Forensic Architecture engages with? Don’t see what any of that has to do with art? Maybe their supporting imagery will get you woke, or maybe not:

Forensic Architecture’s reconstruction of the abduction of 43 students in Iguala, Mexico in 2014. 

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Nothing like graphics that could be out of a 1980s pain reliever television commercial to prove This-is-Serious-Guys. Or perhaps your artistic spirit is more stirred by a flow chart/subway map aesthetic:

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Forensic Architecture: missed their stop

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Nominated for a top art prize. Seriously. This is not art, this an activist power point presentation that seeped out of its think tank, and now threatens to bore all of humanity. Something has gone seriously wrong with standards and practices.

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Either some people in the culture industries don’t know what they are doing, or they know exactly what they are doing, and it’s with evil intent. Benjamin R. Dierker’s recent Federalist essay “How The Left’s War On Words Manipulates Your Mind,” sums it up, describing:

“This isn’t innocent linguistic drift or slang; it is a conscious effort to reshape society. The schemes include redefining words for personal gain, using modifiers to alter the meaning of a word, replacing technical words with colloquial ones, and creating new words. Each of these is a bullying tactic, which distort effective discourse.”

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The Stuckist art movement called out the sheer stupidity of the Turner Prize with protests for years, until it just became too self-evident to bother about. In my book, Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization, (coming in the summer of 2018) I build on ideas first codified by the founders of Stuckism, English artists Charles Thomson and Billy Childish. They recognized we are at the beginning of Remodernism, a new phase of our culture that will wipe out the frauds perpetrated by our Postmodern would-be masters. As I say in the Remodern America Manifesto:

“Ruling class totalitarians use Postmodern art as a tool of oppression. Elitists have weaponized art into an assault on the foundations of Western civilization. This deceitful cabal seeks to destroy any principled perspective on the lies, manipulations, and abuses they commit. The scourge of Postmodern relativism as a cultural force is no accident; it’s a top-down driven campaign. Hyping soulless, unskilled art has a toxic, weakening effect on society as a whole.”

The story of the twenty-first century will be the dismantling of centralized power. We’ve been poorly served by the governing classes across all our institutions. The longer the current elitists attempt to cling to their privileges, the harsher the ultimate corrections will end up being. But an easy place to start undermining their pompous authority is by daring to state the obvious: nominating propaganda for an art prize doesn’t make it into art.

Edit: Welcome Instapundit readers! Please check out other entries for more commentary on the state of the arts. 

STUDIO: A New Painting in Progress, Part 5-Completion (The Work Must Speak For Itself)

“The War You Will Always Have With You” acrylic on canvas 36″ x 36″

Richard Bledsoe

The months went by and the painting progressed. I dedicated as much time as I could to it in between all my other obligations. And finally the time came when I stepped back and didn’t see anything left to adjust.

The painting is done when it speaks for itself. If what I put into it cannot be seen, no amount of explanation can fill the gaps. Here is what the spirit of this age looks like to me.

New paintings have already been done, and others are in process too. The work continues.

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” The making of true art is man’s desire to communicate with himself, his fellows and his God. Art that fails to address these issues is not art.”

The Remodernism Manifesto 

 

Earlier Installments:

A New Painting in Progress, Part 1

A New Painting in Progress, Part 2

A New Painting in Progress, Part 3

A New Painting in Progress, Part 4 

BOOKS: Used Book Treasures

Used Books

“What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.”

-Guillermo del Toro

I received a very special St. Valentine’s Day present from my wife Michele Bledsoe. For the first time in several years we attended the annual Volunteer Nonprofit Service Association Used Book Sale. On Sunday February 14 we spent the morning at the Phoenix Fairgrounds, going through an immense exhibition hall crammed full of super affordable used books.

We are thrifty people, so it worked out great Valentine’s Day was Half Price Day. Michele and I share a love of books. We’ve even written one together, “The Secret Kingdom,” which was quite an adventure in itself.

Once inside the VNSA Book Sale we both went to the Art section, excitedly showing each other new discoveries. Eventually Michele headed off to explore some other favorite topics, but I stayed, determined to see everything. By the time I left the section, I had already found so many books it was hard to carry them.

Art books are very important to me. Art is a continuum; what we are doing now in art right is part of an on-going story as old as humanity itself. I love to see what was done before, because real art is always remains relevant, no matter when or where it was made. I find it inspirational, plus exposing myself to all those pictures and ideas is crucial to the process I call “feeding the image bank.” I never know when what I see might trigger the visions so vital to my own work.

We found many other wonderful books that day, books on faith, history and nature, and some fiction as well. But the most exciting part for me were the volumes on art. All told, we probably spent less than $30 on an immense boost to our art library. I was very selective. I put much more back than I actually bought.

In review of my purchases, I can see now how what I actually picked was influenced by a growing concern in my life: the nature of the American artist. What is the art of this very special place, and what does it look like in these times? You’ll never find out by looking at the offerings of the art establishment. That’s why contemporary art is suffering a crisis of relevance. That is why Remodernism is rising to sweep away the corrupted old hierarchies and renew the art spirit.

Here is a list of our Art Book finds that day, and some notes on their significance. Listed roughly in order of size:

  1. Thomas Hart Benton – mostly black and white images from the American Regionalist painter
  2. Dali Jewels – color photos of jewelry designed by the great Surrealist
  3. Oskar Kokoschka – brief biography and mostly color images by the Expressionist painter
  4. The Wordsworth Dictionary of Symbolism – as a painter in the Symbolist tradition, I am very aware that at its best my art is full of archetypal meanings that come upon me from outside of myself. Like in a dream, I’m shown a picture that is full of significance. Afterwards, looking up the visions that appear to me is very educational, and help me understand what is being conveyed.
  5. Rodin: His Sculptures, Drawings, and Watercolors– Biography, commentary, and black and white images from across the range of Rodin’s artistic output
  6. Great Housewives of Art – a fun collection of domestic themed art
  7. O’Keeffe & Stieglitz – biography on one of the great romances and partnerships in art, between Georgia O’Keeffe and photographer/gallerist Alfred Stieglitz
  8. Alfred P. Ryder – A real score, a color and black and white illustrated book on one of my favorite artists, Alfred Pinkham Ryder
  9. American Visions: The Epic History of Art in America by Robert Hughes – another real score, a book I’ve wanted for years, by my favorite art critic. Even when I’ve seen it used at other locations, I considered it too expensive ($20+). Here I paid $3.50 for a pristine hardback version. I was thrilled.
  10. The Mode in Costume – drawings of clothing styles from 3000 BC to the 1940’s, when the book was made. This will be a great resource for me, as I love evoking history in my paintings, and outfits provide a powerful time reference.
  11. Rhapsodies in Black: Art of the Harlem Renaissance – a lavishly illustrated overview of an exciting movement in the Modern Art era
  12. Russian Lacquer Legends and Fairy Tales – beautiful color photographs on the bold, graphic style of Russian miniature paintings
  13. Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present – a wealth of information and images on Outsider art, including the amazing Thornton Dial
  14. An American Vision: Three Generations of Wyeth Art-full color book on a talented family of painters
  15. The Writer’s Brush: Paintings, Drawings, and Sculptures by Writers – as an artist who writes, it is very interesting to see the results when they come at it from the other way around