DAILY ART FIX: The Entire Art Market is a Giant ball of Hot Air

Art world links which caught my eye…

phot from tiny tap

As the recent Hunter Biden fiasco demonstrated, the contemporary establishment art market is a barely disguised criminal enterprise. This article lays out the reality.

I am here to tell you the truth. Every single establishment that successfully sells art, regardless of location, size or cultural denomination, has no interest at all in the creative talent or process of an artist.

It isn’t even part of the discussion, they just simply don’t care.

They won’t tell you that! Rather you will get all kinds of excuses like we don’t accept submissions, or our calendar is booked for the next 7 years, or they will tell you to send information and then they won’t get back to you, or they will say they are not looking for new artists.

I have explored every single  opportunity for artists all over the world and have spoke with thousands of gallery owners, art consultants, museum curators, art dealers, auction house experts, critics, and journalists. In all that time nearly all of them with very rare exceptions have no interest in creative energy or talent, at all.

Read the full article here: LINKEDIN – The Entire Art Market is a Giant ball of Hot Air

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

Learn more About My Art: Visionary Experience

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.

Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART

Visit other posts for more commentary on the state of the arts.

Please send any inquiries to info@remodernamerica.com. Thank you!

An Elitist Professor Evangelizes On How the Dysfunctional Art World Functions

Straight From the Horse’s Ass

Professor Magnus Resch Lectures the Little People

Like the latest ongoing Hunter Biden pay for play art scheme exposes, the establishment art market is a corrupt scam. At its core, there are probably not more than a few thousand globalists involved in this shady business, which was estimated to have reached over $64 billion in sales as of 2019. As the great critic Robert Hughes once observed, “Apart from drugs, art is the biggest unregulated market in the world.”

By the way, regulation isn’t a solution here. It would only add more layers of graft.

At least drug lords actually have to deliver the goods to receive their ill-gotten profits. The art world is racing into making intangible nothings like NFTs or invisible sculptures just as valuable as the exquisite examples of human skill and insight which used to earn the designation of masterpieces. The white collar criminals involved only care about enabling money laundering, tax evasion, and insider trading. Actual artwork is becoming an unneeded middle man, revealed as just a flimsy excuse for whatever illicit financial transactions they need to disguise.

A faction of this cartel is after more than just money. They are Marxists bent on world domination. Undermining the culture in order to undermine the people is their primary goal, so they invest their money in the most ridiculous anti-art available. Because of the status and clout of this cabal, they have warped the market into a travesty, substituting propaganda, irrelevance, carrion, excrement, pornography, and debris for art.

This puts contemporary artists in a terrible situation. The manipulators of the market demand conformity with their debased agenda if an artist is to have any chance of advancement. Yet the disgusting non-art pushed by the compromised cultural institutions have ruined art’s reputation with the general public. How can an artist who actually wants to make quality art get anywhere?

Under the corrupt status quo, they can’t. Now someone who is part of the problem, a member of the New Aristocracy of the Well Connected, is stepping up to explain how artists and audiences need to knuckle under to the unprincipled New Normal.

Like many elitists, it looks like art economist Magnus Resch likes to play the credentials game. His resume includes business studies at Harvard and the London School of Economics, and teaching at Columbia and Yale. The real world results of Ivy League alumni shows those entities are ground zero for the much of the rot our culture is undergoing, but because the establishment is a closed system, the privileged expect to be shielded from the consequences of the destruction they cause.

Resch has a new book to hawk, How to Become a Successful Artist. On the one hand, it seems he is presenting  a fair assessment of the dire reality of art as a business. But on the other hand, he is hyping divisive Cultural Marxist virtue signaling filtered through Big Tech as the way forward. In Cultured magazine, Resch states:

“My vision is an art world that is transparent, fair and equal and embraces new technologies. Exhibitions are curated via swarm intelligence, not through the selection of a few so-called experts with an art history degree. A more diverse group of artists will finally get museum recognition, supported by a healthy gallery system that is adjusted to the number of buyers. This will attract a new generation of art buyers whose focus is on purpose, rather than profit. They understand that buying art is not just the purchase of an artwork but a philanthropic investment. The questions responsible art buyers will ask are not, ‘How much can I sell it for in 5 years?’ but, ‘How will my purchase support a community and align with my values?’”

From his ivory tower, Resch is elitist-splaining to us how we should not expect quality art which has long term worth. Instead, we should make affirmative action selections in art which will allow us to preen about how we are supporting some preference group. Whoever gets to program his “swarm intelligence” will doubtlessly control what the favored outcomes are. The promoted will be selected due to ideology, skin color, sexual preference, etc – nothing to do with artistic accomplishment. This attitude of bringing non-artistic concerns and lowered expectations into the art world will just continue the disastrous irrelevance of art.

I am curious to read Resch’s book. Not because I expect it will actually educate me how to be a “successful” artist, but because it will give me more insight into the unscrupulous system. The current art world configuration needs to be destroyed for humanity’s sake. Based on Resch’s misdiagnosis for the solutions, it should be even easier to break the monopolistic fraud by presenting real art to the people, and bypassing the establishment’s alienating assumptions and attitudes.

As I described in my 2018 book, Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization:

Art is a more enduring and vital human experience than the power games of a greedy and fraudulent ruling class. The managers crashed the culture in pursuit of their agenda. They defend their usurped authority and privileges with doublethink, misdirection, and intimidation. Their time has run out.

Reality is crashing back through their carefully constructed facades, and a time of reckoning has come. Enduring changes start in the arts. Remodernism defeats Postmodern desecration.

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

Learn more About My Art: Visionary Experience

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.

Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART

Visit other posts for more commentary on the state of the arts.

Please send any inquiries to info@remodernamerica.com. Thank you!

DAILY ART FIX: Surviving The Art World During A Crisis – A Crash Course For The Art Entrepreneur

Art world links which caught my eye…

Surviving The Art World During A Crisis: A Crash Course For The Art Entrepreneur

The Overblown Outbreak of the Woo Hoo Floo was designed to disrupt life as we know it. Ch1na and their deeply embedded Western co-conspirators are trying to make sure we can never get back to reality, but will instead submit to their arbitrary and tyrannical diktats. Something’s got to give, and soon.

In the meanwhile, we all try to find ways past the erratic demands of the corrupt elite’s “New Normal.” The art world, always a wildly inconsistent market, also is trying to navigate the pandemic of lies. In April 2021, Entrepreneur.com hazarded a few creative business strategies for survival.  

Like all industries, the pandemic drove people in the art industry amok- however, this resulted in them working together and finding new ways of resurrecting, connecting, redefining, and stretching the commercial reach of art. Some were more ready than others, be it by taking their art platforms online, or by changing target markets/creative offerings.

A lesser known fact is that the creative industry roams, in a kind of “stealth mode,” across a very large market terrain. Art can be found in many places that are considered the wide social domain; this domain includes the very places people frequent- like restaurants, hotels, parks, beaches, retail areas, hospitals, gyms, schools, and work spaces. 

Read the full article here: Entrepreneur.com – Surviving The Art World During A Crisis – A Crash Course For The Art Entrepreneur

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RICHARD BLEDSOE is a visual story teller; a painter of fables and parables. He received his BFA in Painting from Virginia Commonwealth University. Richard has been an exhibiting artist for over 25 years, in both the United States and internationally. He lives and paints happily in Phoenix, Arizona, with his wife Michele and cat Motorhead. He is the author of Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization:

Remodernism is not a style of art, it is a form of motivation. We express the universal language of inspired humanity.

We do not imitate what came before. We find in ourselves the same divine essence of love and excitement which has inspired masterpieces throughout history. We are strengthened by drawing on traditions thousands of years old.

We integrate the bold, visionary efforts of the Modern era into a holistic, meaningful expression of contemporary life. Remodernism seeks a humble maturity which heals the fragmentation and contradictions of Modernism, and obliterates the narcissistic lies of Postmodernism.

Remodernism is the return of art as a revelation.

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

Learn more About My Art: Visionary Experience

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.

Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART

Visit other posts for more commentary on the state of the arts.

Please send any inquiries to info@remodernamerica.com. Thank you!