BOOKS-Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization

Richard Bledsoe “Among the Fortunate” oil on canvas 32″ x 32″ 

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REMODERN AMERICA: How the Renewal of the Arts Will Change the Course of Western Civilization

Art reminds us of who we are, and shows what we can be. But these days the visual arts are undergoing a crisis of relevance. Art has been weaponized into an attack on the foundations of civilization itself, full of examples of irrelevance, carrion, excrement, pornography, and debris.  Instead of being reverenced as a communion for all, contemporary art is being treated as a wedge, a social signifier of elitist attitudes. In doing so, the New Aristocracy of the Well-Connected block access to powerful resources.

Our self-aggrandizing ruling class’s tawdry and nihilistic vision of life is being inflicted upon us all. They are trying to remake the world in their own rotten image. They deny our society the inspiration to live up to ideals, the encouragement to think and feel deeply, the yearning to harmonize with truth and beauty. As a result, the mass audience has turned away. We’ve come to call this assault Postmodernism.

The elitists understood to maintain power, they had to undermine resistance. That’s why the top-down cultural forces have made Postmodernism so prevalent. Using mass media to communicate their sickening message, the establishment made dispiriting Postmodernism the terrain we all must navigate, the atmosphere we all must breathe, the environment we all must adapt to.

Postmodernism is now the consensus worldview of the ruling elite. It is also the reason their current hierarchy is weakened, and failing. Their would-be tool of domination is destroying them. They’ve been hollowed out by their own corrupt pretensions; their collapse is inevitable.

Postmodernism is dead. This is the beginning of the Remodern era.

Art is a more enduring and vital human experience than the power games of a greedy and fraudulent ruling class. The story of the 21st Century will be the dismantling of centralized power. As always, this course of history was prophesied by artists—those who are intuitively aware of the path unfolding ahead. Their works become maps so that others may find the way.

As Andrew Breitbart stated, “Politics is downstream from culture.” A ragtag group of UK artists fired the first shot against the abuses and ineptitude of the entrenched Postmodern establishment. What these artists initiated has spread across the world, in popular culture, the media, politics, gaining ever deeper significance and consequences. Enduring changes start in the arts.

Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization provides an historical overview of how art shapes society and politics. This book exposes how the contemporary art world is used as a tool of oppression. Most importantly, Remodern America provides the solution, and reveals how the power of art can be reclaimed as a force for liberty.

Remodernism is art of the people, by the people, for the people. Our freedom here in the United States should be producing the most moving and accomplished art in human history. America can be a world leader in culture, not just in military and industrial might. We, the people, deserve a better reflection of our character than the appalling mockery of the art favored by the elitists. So we, the people, are going to make it happen.

Remodernism is the recognition that Western civilization is still mighty. Remodernism knows we can still use our talents to create unprecedented growth. Remodernism is understanding our best days are still ahead of us, if we make the right choices, and do the needed work.

We will demonstrate this in art, to begin with. Imagine a new, decentralized creative class not invested in trashing our culture, but in celebrating it. What a choice to present to our citizens! Uplifting, honest artistry will change the tone of our entire society. Where we go one, we go all.

Renew the arts, and renew the civilization. Together, we can make art great again.

 

“This is our moment in the mighty continuum of art and life. Real art knows no boundaries; it communicates across all times, across all cultures. Art is as much an aspect of our species as the opposable thumb, and just as prevalent. The art world can be as big as all of humankind, if we do it right. Remodernism accepts responsibility for the art of our times, conveying the wisdom of tradition into the opportunities of the future. Remodernism is love made visible.”

-from The Remodern America Manifesto 

 

 

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PAINTINGS: “Do the Work,” a New Collaboration by Michele and Richard

Michele Bledsoe and Richard Bledsoe “Do the Work”

acrylic on canvas 12″ x 6″

 

Michele Bledsoe and I have completed the third piece in our ongoing collaborative series.

As we develop our art and our lives together, we have found inspiration in a book by Steven Pressfield:

Do the Work.

“A child has no trouble believing the unbelievable, nor does the genius or the madman. It’s only you and I, with our big brains and our tiny hearts, who doubt and overthink and hesitate. Don’t think. Act.”

-Steven Pressfield

Michele and I both created our own painting in our own unique style, but allowed a dialogue to form by the interaction of our individual efforts.

Michele compared it to having an intimate conversation.

The process of working on a piece together was so enjoyable that we will continue to collaborate. We hope to someday have a show of just our shared pieces. Watch this space for future updates.

 

Previous Collaborations:

Tusk

Blind Mugwump Johnson 

AGAIN WITH THE FECES: THE ESTABLISHMENT ART WORLD SOILS ITS CREDIBILITY

Forget Jumping the Shark: The Establishment Art World Has Leapt into the Lavatory 

 

I get so tired of covering the art world’s pathological fixations on our biological secretions. But I also believe it’s important to expose what these sickos are up to.

It started in 1917, with the submission of a urinal as a sculpture to an art show. Con artist Marcel Duchamp ended up stealing the credit for it from a possibly schizophrenic lady acquaintance of his.

fountain

The Icon of Postmodernism 

 

Ever since then, the art world water closet has been a crowded place.

We’ve been treated to Piero Manzoni’s 1961 series “Artist’s Shit,” which is supposedly his canned crap.

Shit-canned 

In 1987 hack photographer Andres Serrano hit a blasphemous bonanza when he submerged a crucifix into a jar of urine. The art world lionized him because he upset those deplorable Jesus people.

 

Andres Serrano “Piss Christ”  There goes your taxpayer funding

In 2010 Marcel Walldorf won prizes with a sculpture of a peeing policewoman. Way to sock it to the Man! Or, er, the Woman, in this case.

No Relief From Art World Potty Mania

 

And in 2016 the prestigious Guggenheim Museum installed an actual functioning golden toilet estimated to be worth $2.5 million dollars. It was a piece credited to Maurizio Cattelan, called “America,” of course. Because that is what the people who make curatorial choices for the Guggenheim think about our country.

Golden Showers 

I could go on, and on, and on, with these contemporary art examples, as well as other icky oozes like spit and sperm. The so-called sophisticates that dictate our cultural identity seem to have a real hang up with scatology. But a good stopping point seems to be at the Museum Boijmans van Beuningen in Rotterdam, the Netherlands; the final word in excrement excitement. The pictures speak for themselves.

 

The End of Postmodernism 

The museum actually commissioned the Vienna-based art collective Gelatin to make this. They spent 6 months on it. Seriously.

“The shit as we present it is a sculptural subject, it’s not a joke,” Wolfgang Gantner, one of the four artists making up the collective, told Euronews.

We’ll be the judge of that.

For an extra level of insanity, patrons are expected to wear nudist costumes while they look over the leavings:

Peak Art World: Try a Little Trendy Gender Dysphoria While You Look at Shit  

Where Does the Art Exhibit End, and the Child Endangerment Begin? 

Because I understand what art can do for people, it makes me heartsick to see this abuse perpetrated by the elitists.

This is not art. It’s psychological warfare.

In my upcoming book, “Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization,” I identify how grotesque displays like this literal shit show demonstrate the ongoing collapse of the Postmodern globalist cabal, from the vantage point of the United States:

 

The elites had a great vision for America. They would wreck our culture and trash our heritage, and be the managers over our decline. They’ve been implementing their program for at least 100 years. However, in their long march through the institutions, they overlooked part of what makes America unique. We aren’t compelled to follow our “leaders.” We definitely aren’t going to follow them off a cliff.

Many compare the United States to earlier empires that declined and fell. The familiar pattern is happening here and now. Elitist mismanagement and ennui is encouraging social breakdowns. History demonstrates it’s only a matter of time until the barbarians overrun their dominion. The existing society will be overthrown by primitives from outside the complex system of assumptions and niceties cherished by the ruling class.

The great news is, here in the United States, we are our own barbarians.

Understand the current upper echelons are predominately not representative of the American way of life. They’ve been compromised by Postmodern delusions about their own omnipotence, and it’s ruined them. They should have studied Classical literature. It clearly warns about the perils of hubris.

To these upper crust pretenders, nothing is more backwards and uncivilized than their own fellow citizens, who cling to such notions as God, guns, and honor. Yet these traditional Americans are exactly the people who are best positioned to put an end to the current elitist shenanigans for good. Far from not understanding their Postmodern poses, we understand them all too well.

It will be traditional Americans who rise up to clear away the rubble of the establishment’s failures and decadence. America has an amazing record of achievement, when we put our values into action. We have the wisdom which Postmodernists thought they were too smart to need.

America isn’t dying. It’s the artificially imposed Postmodern worldview which is disintegrating. Americans will carry on, better than ever.

UPDATE: Welcome Instapundit readers! Please visit other posts for more commentary on the state of the arts.

STUDIO: Knowing When to Reuse a Canvas

Richard Bledsoe”Each in Their Garden” 30″ x 30″ 

Working as an intuitive artist carries risks. I paint directly onto the canvas from out of my imagination. I don’t work out problems in advance with preparatory sketches. I don’t cheat by letting a projector make my discoveries for me, and be a substitute for my own draftsmanship. I work to coordinate my mind, my hand, and my eye, to communicate the subtlety of inner vision.

The risk is I don’t always succeed in producing an effective image. This is okay, because I always have multiple paintings going at the same time. I put the unsatisfactory canvas aside.

I mentioned the Room of Shame in a previous post. It’s where the unfinished paintings wait. Some I will pull out and bring to proper resolution. But some are past saving. Case in point: Each in Their Garden. 

The title is a reference to a short story by H.P. Lovecraft. I’ve had a vision of the prehistoric monumental chaos he describes in his mythos. I attempted to depict it on this 30″ x 30″ canvas. It ended up murky and congested. The more I tried to fix it the less cohesive it became.

The seething image I can see in my mind didn’t make it into this picture. It’s become too overworked to repair.

I am so unsatisfied with it I’m going to start an entirely new image on the canvas. It is still a vision of chaos, but in a much more tangible form. I’m excited to get to work on it.

I did want to give Each in Their Garden this one acknowledgement, because parts of it I really enjoy-mostly in the upper half of it. I will take what I learned from this, and move on.

 

“The making of true art is man’s desire to communicate with himself, his fellows and his God. Art that fails to address these issues is not art.”

-The Remodernist Manifesto

 

 

 

COMMENTARY: The Postmodern Establishment Wants to Exterminate the Experience of Art

Going Deep: An image from the Red Book of Carl Jung 

The war against the First Amendment has many fronts.  It’s become clear our right to freely express ourselves is being smothered by those who control the means of our communications. This stifling may have been subtle in the past, but no longer.

The New Aristocracy of the Well Connected, the class which dominates our government, media, tech  platforms, academia, and corporate boardrooms, are working in unison to suppress any Thoughtcrimes from spreading amongst the people. They can’t have any deplorable dregs of society dissenting from the totalitarian utopia being developed.

It has been become evident that the free flow of the Information Age has been stealthily blocked, filtered, and misrepresented to serve an agenda. The delusions being manufactured undermine our society; even our personal relationships are being soured.

However, “Empire follows art and not vice versa,”as the visionary artist William Blake noted. Enduring changes start in the arts. The signs that an unaccountable cabal was manipulating the culture into a state of uncomprehending submission  were evident in the antics of the establishment art world for at least the last century.

Many refer to any puzzling artwork as “Modern.” Modern art as a set of dominant ideas in the cultural elite also lasted about a century, but were pretty much wiped out by the 1960s. We as a culture entered a very different mindset, the clumsy power grab of Postmodernism. It’s the magical thinking of the ruling elites, who have decreed that they can alter reality with the sorcery of sophistry, and deny out of existence the eternal chains of cause and effect. The world has suffered greatly under this subversive hoax. Anything that could disrupt the systematic brainwashing of the populace was infiltrated and corrupted.

The arts were early casualty in the battle, targeted because true art is such a powerful threat to the elite’s influence and control. There has been no freedom of expression for decades in the establishment art world. It’s the personnel that matter. Only partisan fellow travelers get advancement and opportunities.

The cultural institutions have replaced art with artifice, an empty mimicry of the outer appearances and gestures of art, without partaking of any of its true substance and significance. Major museums try to conflate art with amusement park rides and political activism. Where once the ruling class subsidized creative geniuses like Michelangelo and Pablo Picasso, they now throw money at marketing hucksters like Jeff Koons,  propaganda shills like Banksy, and cynical nihilists like Damien Hirst.

These apparatchiks and others of their ilk can be counted on the enforce the status quo, and make the timeless human tradition of art seem off putting and banal. Postmodern art is a tool of oppression.

jk
Jeff Koons: A Pile of Inadequacy  

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Banksy: Know Your Place, Peasants 

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damien-hirst-shark
Tanked: Damien Hirst

The Postmodern establishment wants to exterminate the experience of art. They would deny our society the inspiration to live up to ideals, the encouragement to think and feel deeply, the yearning to harmonize with truth and beauty. They want us to stay shallow and distracted. Anything not subservient to the all-powerful groupthink is a dangerous blow against obligatory conformity.

The elites hate genuine art because it is beyond their control. As the great analyst Carl Jung stated, “To the scientific mind, such phenomena as symbolic ideas are a nuisance because they can not be formulated in a way that is satisfactory to intellect and logic.” Elitist minds are far from scientific, but they love pseudo-intellectual grandstanding, so they reject manifestations of humanity’s spiritual core. It’s why progressives lash out so viciously at profound human experiences like art, but also at religion, patriotism and family kinship. These feelings cannot be tamed into the passive slavery that is supposed to be our lot in life. The arts have been marginalized by the establishment’s relentless efforts to drain the soul out of everything.

Real art stirs a sense of mystery that is beyond any reply. It is just experienced. Great artists manage to transmit their own unique experience of the mystery into a form which others can partake in. Concepts arising from our unconscious are infinitely more meaningful than the social engineering gambits we are being forced into. This disconnect causes discontent, and so, from on high, there has been an all out effort to remove the chance anyone could have their mind expanded from exposure to artistic achievement.

It is impossible to eliminate our fundamental human drives for long. They’ll come back, with all the glory and savagery of nature, because the human unconscious is itself a force of nature. Art will come back into right purpose and application, and provide vital assistance in freeing other areas of life. Across the globe, in various ways, we are shedding the baggage and burdens our cultural administrators tried to bury us in.

Postmodernism is now the consensus worldview of the ruling elite. But far from being an unassailable citadel, Postmodernism is also the reason their current hierarchy is weakened, and failing. Their would-be tool of domination is destroying them. They’ve been hollowed out by their own corrupt pretensions; their collapse is inevitable.

Postmodernism is already dead; we just need to put a stake in its heart, vampire style, to keep it from continuing to wander around, feeding off of the living. And what comes post-Postmodernism? It is the dawn of a new era: the Remodern age.

As I describe in my upcoming book, “Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization,” it’s time to get happy again, and look to the potentials of freedom:

 

“This is our moment in the mighty continuum of art and life. Real art knows no boundaries; it communicates across all times, across all cultures. Art is as much an aspect of our species as the opposable thumb, and just as prevalent. The art world can be as big as all of humankind, if we do if right. Remodernism accepts responsibility for the art of our times, conveying the wisdom of tradition into the opportunities of the future. Remodernism is love made visible.”

Carl Jung discussed the archetypes, models for the human experience that exist in our collective unconscious. One of the archetypes of the West is the Dragon Slayer. Postmodernism is just the latest version of the world serpent, the force in life that seeks chaos and destruction. Our own inner nature tells us we are destined to prevail against this threat, but only through bold action. Art is a Remodern weapon we can wield.

Carl Jung Understood the West: Our Monsters, Our Heroes 

 

EDIT: Welcome Instapundit readers! Please view other posts for more commentary on the state of the arts. 

 

 

PAINTINGS: The Evolution of “Hollowsaurus”

 

Richard Bledsoe “Hollowsaurus” acrylic on canvas 24″ x 36″ 

On September 1, 2018, I finished Hollowsaurus, an epic painting 6 months in the making. It was an ambitious expansion of an image I first played with on a small canvas:

 

Richard Bledsoe “Table for Two” acrylic on canvas 12″ x 16″ 

 

I was so intrigued by this vision I was presented with that it inspired a whole series of images in my mind.  These pieces are the beginning of a new body of work for me. I have already started the next one. I feel the powerful symbolism flowing through these pictures. They speak to me without being reduced to mere words.

While I was making Hollowsaurus, I took pictures of its development. I think these photos give insight on how I build a painting, and how the works evolve.

Barely Begun 

 

 

Defining the elements 

 

 

Building Details 

“Spiritual art is not about fairyland. It is about taking hold of the rough texture of life. It is about addressing the shadow and making friends with wild dogs. Spirituality is the awareness that everything in life is for a higher purpose.”

-The Remodernism Manifesto 

STUDIO: “Night’s Forces” Emerges from the Room of Shame

Richard Bledsoe “Night’s Forces” acrylic on canvas 30″ x 30″ 

Let me tell you about the room of shame.

The room of shame is the place where unfinished paintings are stacked, faces to the wall. It must have close to a dozen residents right now, some as large as 30″ x 36″. Some have been in there for many years.

These are paintings which I began, and then at some point in their development, I lost the plot, and the point, and my ability to finish them. This happens sometimes when working intuitively. The inspiration dries up before the work is complete.

I always have multiple works going. For example, right now, I have 4 unfinished paintings pending, 2 of which are practically done. So it’s no great blow to my productivity if I have to put something aside temporarily, or not so temporarily.

Some incomplete works are unsalvageable. I will paint over them, and create a whole new image.

But the paintings in the room of shame are worth completing. I still believe in them, and am waiting for their moment to return. They say the way you do something is the way you do everything. I may be slow, but I am persistent.

Case in point: Night’s Forces.

I began this painting in 2015. It was far advanced when I had to put it away. I’d had a series of studio sessions on it where instead of improving it, I was making it less effective, less resolved. It was a complex composition. I couldn’t get the colors and definitions to function. Off it went to the room of shame, where it lingered for years. Until a few weeks ago, when I brought it out again. I made some big moves on it, because at that point I had nothing to lose. The work would either crash, or crash through. Fortunately, it was the latter.

Night’s Forces is now finished, and I’m ready to move on with additional new projects. My wife Michele Bledsoe created a video of me working on it as it entered it final phases. See the video here:

Video-Remodern America: Renew the Arts and Renew the Civilization

As I state in my upcoming book, Remodern America: How the Renewal of the Arts will change the Course of western Civilization:

“Remodernism reboots the culture. Remodernism is not a style of art, it is a form of motivation.”

Sometimes a painting needs a time out followed by an assertive jump start. This return is driven by Remodernist motivation: I need to show you what I saw, so we will better understand each other, and life as a whole.