Leftists Literally Evoke Satan To Save Their Collapsing Cultural Cabal

The Left Goes to the Devil: Satanism is the New Black

Despite the ongoing pandemic psyop and hysteria which requires us to cover our faces, this is actually the era of the Great Unmasking. Our Postmodern credentialed classes have been exposed; their corruption, hypocrisy, and ulterior motives are on full display. Now as their monopoly on power and mass communications are being challenged as never before, many elites are openly siding with a cause they feel is the source of their authority. They want to redefine Satanism as the hip philosophy for the Twenty-first century.   

Looking at the oppression, suffering, and destruction the Left has caused whenever they gain control, it’s not like it’s any secret they are a force for evil. Hillary Clinton’s mentor, Saul Alinksy, was an early adopter of this establishment trend. On his dedication page for Rules for Radicals, his 1971 destruction of Western Civilization how-to book, Alinsky wrote:

“Lest we forget at least an over-the-shoulder acknowledgment to the very first radical: from all our legends, mythology, and history (and who is to know where mythology leaves off and history begins —or which is which), the first radical known to man who rebelled against the establishment and did it so effectively that he at least won his own kingdom — Lucifer.”

Better to rule in Hell, right Saul? What a shame he seemed to gloss over another quote on the very same page:

“Let them call me rebel and welcome, I feel no concern from it; but I should suffer the misery of devils, were I to make a whore of my soul….”

– Thomas Paine

Paine identifies it: to be a devil is to be miserable. So why go there? Best I can figure it, what is happening here is people who are already miserable are drawn to Leftist activism. It gives them license to try to make others as unhappy as they are.

Something is happening in the culture though, very much against the plans and preferences of the SJWs. Their monolithic totalitarians schemes are fading, as people actually dare to disagree with progressive priorities. So the hacktivists are reacting with all the stability and foresight that is always the hallmark of the Left: They are calling on Satan to save them. Numerous news stories have demonstrated the subsequent apparatchik acknowledgement of allegiance with the powers of darkness.

Hyperallergenic is an online “arts” magazine, which like most of the culture industries these days, performs a bait-and-switch, and presents Marxist proselytizing in place of creativity. In September 2020, they vomited out this little thinkpiece like Linda Blair spewed pea soup: The Story Behind a Misunderstood Satanic Monument:

“Satanic Panic” never really ended; it just fell out of fashion in mainstream media. With the rise of QAnon in Trump’s America, however, Satanism has received renewed interest across the conservative media spectrum. When the Black Lives Matter protests started bringing down Confederate memorials in June, far-right publications and organizations like The Washington Times and Turning Point USA called for the destruction of the Satanic Temple’s bronze statue of Baphomet, its patron deity with the head of a goat and angel wings.

These attempted takedowns betray long-held Republican beliefs in freedom of religion and respect of private property, leading Temple co-founder Lucien Greaves to denounce their legal and spiritual corruption. In an open letter posted on his Patreon, Greaves critiqued the false equivalence between Confederate monuments and the Baphomet statue, arguing that Satanists pose no real threat to religious freedom, and that Baphomet does not even currently stand on public property. (The statue is currently housed in the Temple’s headquarters in Salem, Massachusetts.)

“You can really learn about people’s cultural baggage by seeing how they react to the Baphomet monument,” Greaves told Hyperallergic. “It’s interesting to think this debate could merely be about what’s offensive to some type of individual, and that there is nothing qualitatively different about the Baphomet statue — which is openly symbolic of pluralism, diversity, and nonbinary identity.” (The Satanic Temple does not believe in the existence of Satan, nor does it worship the occult.)

Oh it’s a misunderstanding. A “temple” featuring a grotesque idol of a patron deity isn’t occult or religious, you rubes. Nor should it be compared to the real evil: historical tributes to Democrats who caused a civil war to trying to preserve their entitlement to own other human beings. No, you see, Satan is the good guy in Postmodern globalism. As the article continues:

Greaves and sculptor Mark Porter intentionally designed its calm and stoic facial expression to reflect the Temple’s non-violent mission and political status.

“People do not automatically think of Satanism as this murderous force anymore,” Greaves said. “There has been a perceptual shift in which people are able to embrace images that may have previously seemed untouchable and blasphemous. As much as this is a religious and cultural movement, it is also an art movement, and it all ties together.”

Much like the GOP’s fear-mongering around socialism, this new wave of Satanic Panic is a form of projection. What many Christians really fear is opposition to their notions of religious dominance, in both theory and practice. The Satanic Temple’s core principles include peaceful protest, adherence to science, body autonomy, and empathy toward all living beings. Many of its local chapters perform rituals from a non-superstitious, non-supernatural perspective while actively serving and beautifying their communities. They lead cleanup efforts for parks and beaches, hold sock and clothing drives for homeless communities, and distribute menstrual hygiene products for those without access. The Baphomet statue is the embodiment of this new paradigm, representing the only organization of its kind to gain political leverage in recent history.

Conservative reactionaries have always needed a scapegoat to blame for vice and deviance, and the Baphomet monument fills that role. In reality, though, Satanists are helping to debunk pseudoscience and organize against a theocratic status quo. It is no wonder, therefore, that far-right internet trolls want to portray Satanists as cannibals working for the deep state. Grieves views Baphomet as an entry point into the Temple’s efforts to mitigate religious racism and combat white supremacy throughout the country. (emphasis mine)

Please. The only theocratic status quo with any clout these days is the Authoritarian State as Religion, the creed of progressives everywhere.

Hillary Clinton herself, a woman of wealth and taste, recently signaled in a sly artistic reference she still is following in her mentor’s footsteps. Whether you want to assign the mentorship to Alinsky, or cut out the middleman and go right to the source, is up to you.

The Devil is in the Details

Clinton appeared in her new podcast with her laptop oh so casually propped up on a stack of books. Sharp eyed observers identified one on the props: Erotics, a book of sculptures by artist Lucio Bubacco.

A Little Light Reading for Madam Not-President?

Google Books gushes:

“Lucio Bubacco’s works in glass are unparalleled examples of extraordinary Venetian flame technique – A witty play with the borders of kitsch, and biblical and carnevalesque iconography…Most of the subjects of Lucio Bubacco’s (b. 1957) glass art are provocative and polarizing; at the same time they are sensual and beguiling. In a kind of erotic ‘trance dance’ – Mephistophelian and frequently riotous – nightmarish fabulous creatures and mythological phantasms virtually undulate about each other…Full of wit and irony he thus explores the limits of kitsch without overstepping them. Follow him into a world of carnavalesque orgies, crystalline incubi and erotic fantasies in glass!”

Here is one of the tamer images:

Bubacco: Crystalline Incubi

Everything about Hillary Clinton is calculated, and she doubtless has a team of people facilitating all of her PR efforts. If that book was displayed, you can be sure it was deliberate.

This ruling class Satan endorsement is having the desired effect: creating more converts. The Huffington Post ran this charming article, also in September 2020: “The Death Of Justice Ruth Bader Ginsburg Pushed Me To Join The Satanic Temple.” Says author Jamie Smith:

I am a 40-something attorney and mother who lives in a quiet neighborhood with a yard and a garage full of scooters and soccer balls. I am not the type of person who would normally consider becoming a Satanist, but these are not normal times…

Our democracy has become so fragile that the loss of one of the last guardians of common sense and decency in government less than two months before a pivotal election has put our civil and reproductive rights in danger like never before. And, so, I have turned to Satanism.

Members of the Satanic Temple do not believe in the supernatural or superstition. In the same way that some Unitarians and some Jews do not believe in God, Satanic Temple members do not worship Satan and most are atheists. They are not affiliated in any way with the Church of Satan. Instead, the Satanic Temple uses the devil as a symbol of rebellion.

Just like other faiths, the Satanic Temple has a code that their members believe in deeply and use to guide their lives. These Seven Fundamental Tenets include that “one should strive to act with compassion and empathy toward all creatures in accordance with reason,” that “the struggle for justice is an ongoing and necessary pursuit that should prevail over laws and institutions,” and that “one’s body is inviolable, subject to one’s own will alone.”

Reading through the Seven Tenets, I was struck by how closely they aligned with the unwritten code I had used to try to guide my own life for several years. I realized, happily, that these were my people and that I had been a Satanist for several years without even knowing it. When Justice Ginsburg’s death suddenly made combating the threats to reproductive rights and a government free from religious interference more urgent, I knew it was time to join them and support their conceptual and legal battles.

It’s hard to know in this sorry tale where the mental illness ends and the evil begins.

Conceptual battles are turning into real ones, thanks to these diabolical agitators. Research uncovered that the media-connected thug Jeremiah Elliot, the Denver assassin of a Trump supporter, also has ties to Satan flaunting activities.


Image and research from The Illustrated Primer

These people are toying with something dangerous. Whether they believe in the supernatural or not, they are engaging in the worst impulses of humanity: hatred, selfishness, self-deception, manipulative lies, and reckless pride. Nothing positive can result in this cultivation of the demonic.

There’s nothing new about turning to evil to try and get your own way. That story goes all the way back to Adam and Eve, and dictates much of human history. The contemporary form of this affliction has the extra nasty twist of being insufferably smug about it, too.

In my 2018 book, Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization, I discussed how the improvements of the Modern age were still shaped by humanity’s fallen state:

“Despite the vast economic opportunities that improved the situation for much of the population, there were serious issues relating to the sudden upheaval of the social order. Customary roles and lifestyles were obliterated by the transformations. Poverty and exploitation continued, and even increased in the swelling city populations.

“But humankind, arrogant with increased power, imagined the same kind of empirical approach that reshaped the natural world could work equally as well on the human heart.

“The efficiency of the mechanistic view, once applied across all fields of human endeavor, seemed to promise human life and society must be perfectible. In the Nineteenth century, there was faith that the same kind of progress industrial science achieved could be applied to society. New interpretative social sciences and theories tried to match the accomplishments of technology.

“Modern age optimism assumed while religion and tradition had failed to create a worldly paradise, logic would prevail. The intellect would be humanity’s new savior, and pragmatic philosophy would make heaven on earth.

“The overreach and false equivalence at the heart of this assumption has caused cataclysmic consequences ever since. To think human existence can be operated like an orderly, regimented machine, or to even believe that this is a desirable thing, remains the dehumanizing legacy of the materialistic concepts that gained traction in the 1800s.

“For example, Karl Marx and Friedrich Engels published The Communist Manifesto in 1848. Since that time, an estimated 100 million people have been massacred in the name of their historically necessary “perfected” society.

“It seems all those ordinary lives were just not perfectible enough. The miraculous material progress the Modern age gave us did not make us better people. Instead, it gave us new justifications for evil behavior.

“The corruption and downfall of good intentions is the inevitable consequence of trying to live without God.”

Our elites have chosen to exercise their self-serving demons, and they aren’t even pretending about it any longer. Our culture needs an exorcism.

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.

Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART

Please send any inquiries to info@remodernamerica.com. Thank you!

INTERVIEW: Chris Muir’s Shadowbanned Webcomic “Day By Day” Illustrates Free Speech

DAY BY DAY Brings the Pain to Elitist Culture

Winston Churchill’s masterful summary of the totalitarian blockade around captive cultures as an Iron Curtain has received a Twenty-first century revision.

Thanks to Big Tech, the repressive dynamic being enforced now is a Silicon Curtain. It’s no longer limited to Eastern Europe. We have a worldwide will to power attempting to throttle the greatest source of information and communication in history: the internet. Early innovators grew into citadels of monopoly. Being smart with computers gave these would-be overlords conceits of their own omnipotence. Look at that nasty Bill Gates, eager to inject the world’s population with his own special blend of God knows what, in a response to a manufactured Scamdemic he sure seemed to be planning for. With a creepy scheme like that, Gates is one volcano headquarters away from being a James Bond villain-and who knows? He may have one already.

Big Tech has partnered with authoritarian regimes to beta test techniques of tyranny they have every intent of inflicting upon us all. Have no trust in these trusts, which are sorely in need of busting.

But in the meantime, freedom still manages to break through the controls. Officially condemned Wrongthink can still be found online, if you know where to look. That’s why I was so glad to rediscover Day by Day, a daily political webcomic by Chris Muir.

I used to follow Day by Day in my early days of internet political obsessing in the early 2000s. It was the glory days of the Blogosphere, before so much of online engagement was squashed into filtered social media silos. The strip was featured on various sites I compulsively visited. DBD’s combination of sharp, insightful commentary and expressive drawing was very compelling.

Day by Day in 2008

Through the years, as my browsing habits changed, I lost touch with comic. But when I recently rediscovered it, I observed it had undergone an upgrade. The Alinsky-style weapons of satire and sarcasm directed at leftist tropes was as powerful as ever, but the art was richer, more elaborate.

Muir has great skill at figurative work, especially when depicting lovely ladies. As Muir’s dialogues are often set in intimate domestic situations, he frequently draws his characters nude. Any criticism directed at him for celebrating the female form, coming from cultural thought leaders who promote Cardi B, is rank hypocrisy. To me, Muir’s frank depictions prove his commitment to honestly sharing his free expressions. The salty politics are leavened with some sweet beauty.

Day by Day Bares Arms and More 

Chris Muir is participating in Remodernism, the spirit of liberty which is persisting around the globe, despite the Postmodern establishment’s best efforts to smother it.  As I state in my 2018 book, Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization:

“Remodernism acknowledges artists as individuals responsible for their own actions. Artists have the duty to honestly express the spirit of the age filtered through their unique perspective and skills. Remodern artists use their art to show the enduring triumph of the human spirit over any negative circumstances.

“We must overcome the Postmodern efforts to censor and subvert the culture by suppressing free expression. We don’t need anyone’s approval or permission to create.”

I recently conducted an email interview with Chris Muir, discussing the past, present and future of his creative endeavors.

Question: How did you begin Day by Day? How is it going currently?

Chris Muir: In 1996, I became frustrated at the bias I saw in media-all media. I always had a thing for American history, and to see how warped the presentation of it was in ‘News’ and comics-like Doonesbury and many other syndicated toons-I thought ‘I can do better than this’, and set out to do so. I did practice toons from 1996 to 2002 (unreleased) to see if I could do this as a night job (my day job for 30 years was as an Industrial Design consultant). I also did a single panel/day non-political strip for FL Today called ‘Altered States’ as additional practice to ensure I could meet a daily deadline.

Q: Your draftsmanship is part of what keeps Day by Day so interesting. What’s your artistic background?

CM: I’m self taught, much practice at Photoshop and Illustrator inasmuch as I did renderings of designs for various clients over the years-boats, electronic products, etc. This set me up well for the inevitable time when comics would be all digital.

I was one of the first to do an all digital comic strip, and being versed in Production techniques, I was able to do it all with one person-me! Today there are hundreds of cartoonists and artists who are all digital (Like Deviant Art), though I chose this method primarily because my day job took 80% of my time, and I had to be fast and accurate, as daily strips must be daily without fail. One has to get on readers’ short list of daily reads, especially now (unlike back in 2002 when I launched) because of thousands of content choices. One must become a habit for that reader(s) for they are your income(and shared values).

Q: Were there any notable influences on your art or content?

CM: Richard Corben, Vargas, Milton Caniff, Dean Yeagle, Wallace Wood, Gil Evgren, Bruce Timm.

Q; What’s been your most controversial strip?

CM: I had Hillary in blackface, pandering to the black vote, back in 2003? That was notable back then, but in today’s political climate, Americans don’t debate much with the Left as they have truly gone off the reservation.

Q: When did the censorship begin? Were you surprised, or did you see it coming? How have you been censored?

CM: First Facebook, then Google, around…10 years ago, I think. I was not surprised, saw that coming from the start, having gone through the Cold War with the Left’s Idol, the USSR. I would guess I have been shadow banned to some extent, but inasmuch as I have always decided to be direct to readers, it doesn’t affect me that much. I was lucky to have been a slightly large frog in the Blogosphere Pond when it bloomed, and that set the readership pretty much from there.

Q: What’s your new project?

CM: A SciFi project based on today’s Red vs Blue conflict but set on a different world. www.HolyTera.com should be up November-December this year.

Q: What appeals to you about the science fiction genre?

CM: I suppose the invention of Worlds, what might be, and especially Men and Women-not Xis or Zirs- in such settings.

Q: What do you want your fans to take away from your comics?

CM: A desire to fund me! Well, mostly I aim to be a 15 second read on the day’s political/cultural/MenWomen news in comic format. In today’s attention span deficit era-and I include myself on this-it is a powerful way to entertain and inform in a multiverse of endless online content. So, readers get a summary, in a fun form, of what’s going on.

Q: In this technologically advanced but fragmented age, what future do you see for comics?

CM: A good one, actually-there’s never been a better time for any content provider or artist, as the ‘net delivers for free to unlimited readers-no gateway, editor, middleman, or social justice idiots to drag one back down into the crab bucket. But I would suggest whatever you do, make it constant, for once you lose a reader, you are lost to them in the noise of Many Choices!

Q: How can people find your works?

www.daybydaycartoon.comwww.holytera.com  – or just Google my name! I still seem to be on the first page of results.

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.

Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART 

Please send any inquiries to info@remodernamerica.com. Thank you!

Update: Welcome Instapundit readers! Please visit other articles for more commentary on the state of the arts.