DAILY ART FIX: Georgia O’Keeffe Was an Accomplished Photographer, Too. A New Exhibition Focuses on Her Work in the Medium for the First Time

Art world links which caught my eye…

Georgia O’Keeffe, Ladder against Studio Wall in Snow (1959–60).

They say the way you do something, is the way you do everything. It turns out painter Georgia O’Keeffe was also a talented photographer, whose images reflect the subject matter of her paintings.

It’s not hard to tell that O’Keeffe was the eye behind the images—and not just because the majority of them feature the same beloved New Mexican landscapes and flora that populate her paintings. Her signature sense of composition is there, too. You can recognize it in the way she photographs the bodily curves of riverbeds and adobe homes, or in her fascination with the long, graphic shadows that dramatize the desert every morning and afternoon. Her ability to capture nature’s feminine grace remains unparalleled.

Georgia O’Keeffe, Forbidding Canyon, Glen Canyon (September 1964)

Read the full article here: ARTNET – Georgia O’Keeffe Was an Accomplished Photographer, Too. A New Exhibition Focuses on Her Work in the Medium for the First Time

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

Learn more About My Art: Visionary Experience

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.

Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART

Visit other posts for more commentary on the state of the arts.

Please send any inquiries to info@remodernamerica.com. Thank you!

THE ART OF DEATH VERSUS THE DEATH OF ART

Damien Hirst Humped The Shark:

The Physical Impossibility of Death in the Mind of Someone Living” (1991)

The arts are undergoing a crisis of relevance. People have been so alienated by the weird dysfunctions of the establishment art world for so long, there is little awareness of what is being advanced as the visual representations of our culture.

This stuff matters more than people know. Art shows us who we are, and it shows us how to be. Right now the arts are dominated by destructive nihilists. Look at what they do, to understand what the elites are trying to program as our way to live.

There is a longstanding artistic tradition of the momento mori: “remember you must die.”

The reality of our own mortality, and coming to terms with it, is a vital function of traditional art. Making something exquisite out of the way of all flesh is a transcendental act. It has been expressed in many ways. Throughout art history, skulls make appearances in paintings, on jewelry, on clocks and watches. Dutch masters painted beautifully naturalistic oil still lifes referred to as vanitas, which included images of bones, snuffed lamps, and hourglasses. They not only celebrated the refined talents of the painters, they implied pending decay.

Pieter Claesz “Vanitas Still Life” (1630) 

The tradition continued over the centuries. In a more recent example, Modernist American painter Georgia O’Keeffe utilized animal skulls and flowers to similar effect. It’s the kind of universal communication that makes art so powerful.

Georgia O’Keeffe “Summer Days” (1936) 

As Christians, we understand our true life is not limited to this earth, but is life eternal granted by the grace of the Son of God. Still, awareness of the briefness of our time here on earth is a powerful motivator. “I am writing this book because we’re all going to die,” mused Beat author Jack Kerouac. He was determined to deliver his story as a supplication to the Lord. Kerouac wanted to make something holy out of all his striving, opening himself to God before the darkness came.

Contemporary art has a different message for us: death as something awkward, gross, and shameful. This is typified by the richest living artist in the world: Damien Hirst.

Choke Artist: Damian Hirst

Hirst has been well rewarded for making death seem supreme. It’s said this hack is worth $1 billion. What put British artist Hirst on the fast track in the first place could be seen as a momento mori of a kind, but with some important caveats.

Hirst was trying to make that connection in his title. Called The Physical Impossibility of Death in the Mind of Someone Living, the 1991 piece was a fourteen foot long taxidermied tiger shark suspended in a tank of formaldehyde. Since its creation it has changed hands several times, for a price suggested to be as high as $12 million.

Now, Hirst did not catch the shark. He did not stuff the shark. He did not build the tank, or suspend the beast in it. He is a “Conceptual artist.” The idea of Conceptual art is all the artist needs is to have the idea. Others execute it, often by just putting some already existing item like a shark into a new context of a gallery or museum. The artist then acts as a well-networked and “controversial” spokesmodel for their commercialized brand. This business model was most visibly pioneered by Pop artist Andy Warhol, who made some vanitas himself.

Andy Warhol “Skull” (1976)

While Warhol usually sold product placements and celebrity portraits, HIrst’s brand is carcasses. It’s claimed nearly 1 million animals have been processed through his industrial scale artistic abattoir, ranging from butterflies to zebras. He’s advanced from having them merely displayed; they are sliced, diced, contorted and flayed, as per his “vision.” As Hirst has callously stated, he wants to “kill things in order to look at them,” and “Cut us in half, we’re all the fucking same.”

Damien Hirst “Piggy” 

I don’t claim any special virtue for myself. I’m a happy meat eater, and I understand what that means. But what Hirst promotes is far from the traditional momento mori of art. There’s no acknowledgement of the urgency of human experience, the profound significance of life in the face of its certain end. The hands off approach from its originator removes the spiritual resonance of creation in spite of destruction. Hirst implies we are just meat to be manipulated and exploited. It’s an ugly and empty message.

Hirst doesn’t even provide quality in the work he has done in his name. Despite the hype, I’ve seen descriptions of encounters with the shark which say what was once was a magnificent animal looks about as impactful as an overstuffed sofa, lost in the white void of the museum. The original shark rotted away in its tank, and had to be replaced. The contemporary art market is place of such cognitive dissonance there is a hearty debate on whether swapping the shark out meant the artwork was now worthless.

My take? It was worthless in the first place.

Hirst seems to have gotten into the carrion business because he lacks real artistic talent or discernment. After Hirst became a brand name, when he wanted to come up with a mass production way to cash in, he produced the inane spot paintings. I can’t picture a bigger failure in imagination or interest than these generic Twister rip offs. Still, thousands of these have been cranked out by hired help, selling for tens of thousands of dollars each. It’s a way for tasteless but wealthy patrons to partake in Hirst’s rotten prestige in a sterile way, without worrying about formaldehyde leaks.

Damien Hirst

Some People Actually Pay For This: A Hirst Spot Painting

Hirst is still flogging dead horses and more to maintain his top tier art market status. His latest gimmick is ironically putting paint onto a canvas himself, though I wouldn’t go so far as to grace the efforts with the status of paintings.

Spotty Accomplishments: Hirst Cherry Blossoms

Ultimately elites celebrate artists like Hirst because they have a death wish: they wish the rest of us would die, or at least be as passive as corpses while the powerful abuse and pillage our society. The establishment contributes to our destruction by replacing art with icons of physical, intellectual, emotional and spiritual deterioration.

A previous version of this article appeared in The Masculinist.

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

Learn more About My Art: Visionary Experience

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.

Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART

Visit other posts for more commentary on the state of the arts.

Please send any inquiries to info@remodernamerica.com. Thank you!

Artist Quotes About America

Reposted from July 3, 2017 

Thornton Dial “Don’t Matter How Raggly The Flag, It Still Got To Tie Us Together”

“If we going to change the world, we got to look at the little man.”

Thornton Dial

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Happy Independence Day!

In large part, the creative classes are saturated in globalist propaganda. The institutional indoctrination is very thorough, and of course most funding opportunities rely on conforming to the elitist gentry agenda.  Sad!

However, there are examples of artists who spoke their minds about the fantastic nature of the American experience. In the United States our culture is currently experiencing the death throes of manipulative, oppressive Postmodernism. As we enter the new era of Remodernism, the return of art as a revelation, expect to see more artists express the ethos of liberty in deeds, words and pictures.

.

Andy Warhol “Van Heusen (Ronald Reagan)”

“I met someone on the street who said wasn’t it great that we’re going to have a movie star for president, that it was so Pop, and when you think about it like that, it is great, it’s so American.”

-Andy Warhol

.

Thomas Eakins “The Champion Single Sculls”

“Of course, it is well to go abroad and see the works of the old masters, but Americans… must strike out for themselves, and only by doing this will we create a great and distinctly American art.”

-Thomas Eakins

.

Arthur Dove “Me and the Moon”

“What constitutes American painting?… things may be in America, but it’s what is in the artist that counts. What do we call ‘American’ outside of painting? Inventiveness, restlessness, speed, change..”

-Arthur Dove

.

Jacob Lawrence “The Migration Series Panel 58”


“Maybe…humanity to you has been reduced to the sterility of the line, the cube, the circle, and the square; devoid of all feeling, cold and highly esoteric. If this is so, I can well understand why you cannot portray the true America. It is because you have lost all feeling for man.”

-Jacob Lawrence

.

Willem De Kooning “Dark Pond”

“I feel sometimes an American artist must feel, like a baseball player or something – a member of a team writing American history.”

-Willem De Kooning

.

Georgia O’Keeffe “Cow Skull: Red, White and Blue”

“One can not be an American by going about saying that one is an American. It is necessary to feel America, like America, love America and then work.”

-Georgia O’Keeffe

.

Jack Kerouac “Untitled”

“I felt like a million dollars; I was adventuring in the crazy American night.”

-Jack Kerouac

.

Grant Wood “Stone City, Iowa”

“I had to go to France to appreciate Iowa.”

-Grant Wood

.

Richard Bledsoe “The Pop Star”

Remodernism is the latest iteration of the American character: ordinary people working as explorers and inventors, optimistic, self-reliant and productive.”

-Richard Bledsoe

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RICHARD BLEDSOE is a visual story teller; a painter of fables and parables. He received his BFA in Painting from Virginia Commonwealth University. Richard has been an exhibiting artist for over 25 years, in both the United States and internationally. He lives and paints happily in Phoenix, Arizona, with his wife Michele and cat Motorhead. He is the author of Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization:

Remodernism is not a style of art, it is a form of motivation. We express the universal language of inspired humanity.

We do not imitate what came before. We find in ourselves the same divine essence of love and excitement which has inspired masterpieces throughout history. We are strengthened by drawing on traditions thousands of years old.

We integrate the bold, visionary efforts of the Modern era into a holistic, meaningful expression of contemporary life. Remodernism seeks a humble maturity which heals the fragmentation and contradictions of Modernism, and obliterates the narcissistic lies of Postmodernism.

Remodernism is the return of art as a revelation.

**************

I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

Learn more About My Art: Visionary Experience

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.

Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART

Visit other posts for more commentary on the state of the arts.

Please send any inquiries to info@remodernamerica.com. Thank you!

DAILY ART FIX: Georgia O’Keeffe and Alfred Stieglitz: Love and Art Amidst the Spanish Flu

Art world links which caught my eye…

Alfred Stieglitz “Georgia O’Keeffe”

We remember Georgia O’Keeffe as a painter of flowers and bones. Less known are the intimate series of photographs made of her by art world pioneer Alfred Stieglitz, her future husband. Key quote from the article:

Although Stieglitz created over 300 photographs of O’Keeffe throughout their long relationship, it was in 1918, when the heat of their love was brand new and the world was in chaos, that his camera lens became the instrument of his passion, exploring every inch of her face, her long graceful limbs and naked body often in languid repose. 

Read the full article here: ART & OBJECT – Georgia O’Keeffe and Alfred Stieglitz: Love and Art Amidst the Spanish Flu

**************

I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting

My wife Michele Bledsoe has written her own inspirational book, Painting, Passion and the Art of Life.

Remodernism Video: BEFORE THERE WAS FAKE NEWS, THERE WAS FAKE ART

Visit other posts for more commentary on the state of the arts.

Please send any inquiries to info@remodernamerica.com. Thank you!

Artist Quotes About America

 

Thornton Dial “Don’t Matter How Raggly The Flag, It Still Got To Tie Us Together”

“If we going to change the world, we got to look at the little man.”

Thornton Dial

.

Happy Independence Day!

In large part, the creative classes are saturated in globalist propaganda. The institutional indoctrination is very thorough, and of course most funding opportunities rely on conforming to the elitist gentry agenda.  Sad!

However, there are examples of artists who spoke their minds about the fantastic nature of the American experience. In the United States our culture is currently experiencing the death throes of manipulative, oppressive Postmodernism. As we enter the new era of Remodernism, the return of art as a revelation, expect to see more artists express the ethos of liberty in deeds, words and pictures.

.

Andy Warhol “Van Heusen (Ronald Reagan)”

“I met someone on the street who said wasn’t it great that we’re going to have a movie star for president, that it was so Pop, and when you think about it like that, it is great, it’s so American.”

-Andy Warhol

.

Thomas Eakins “The Champion Single Sculls”

“Of course, it is well to go abroad and see the works of the old masters, but Americans… must strike out for themselves, and only by doing this will we create a great and distinctly American art.”

-Thomas Eakins

.

Arthur Dove “Me and the Moon”

“What constitutes American painting?… things may be in America, but it’s what is in the artist that counts. What do we call ‘American’ outside of painting? Inventiveness, restlessness, speed, change..”

-Arthur Dove

.

Jacob Lawrence “The Migration Series Panel 58”


“Maybe…humanity to you has been reduced to the sterility of the line, the cube, the circle, and the square; devoid of all feeling, cold and highly esoteric. If this is so, I can well understand why you cannot portray the true America. It is because you have lost all feeling for man.”

-Jacob Lawrence

.

Willem De Kooning “Dark Pond”

“I feel sometimes an American artist must feel, like a baseball player or something – a member of a team writing American history.”

-Willem De Kooning

.

Georgia O’Keeffe “Cow Skull: Red, White and Blue”

“One can not be an American by going about saying that one is an American. It is necessary to feel America, like America, love America and then work.”

-Georgia O’Keeffe

.

Jack Kerouac “Untitled”

“I felt like a million dollars; I was adventuring in the crazy American night.”

-Jack Kerouac

.

Grant Wood “Stone City, Iowa”

“I had to go to France to appreciate Iowa.”

-Grant Wood

.

Richard Bledsoe “The Pop Star”

Remodernism is the latest iteration of the American character: ordinary people working as explorers and inventors, optimistic, self-reliant and productive.”

-Richard Bledsoe

 

 

ART QUOTES: On Spirituality

“Spiritual art is not about fairyland. It is about taking hold of the rough texture of life. It is about addressing the shadow and making friends with wild dogs. Spirituality is the awareness that everything in life is for a higher purpose.”

-The Remodernism Manifesto

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a-wolf-had-not-been-seen-at-salem-for-thirty-years-1909.jpg!Large

Howard Pyle “A Wolf Had Not Been Seen In Salem for Thirty Years”

“Be it known that the spiritual world in outward appearance is entirely similar to the natural world.”

-Howard Pyle

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bc-toni-kurz-descending-study-1-hr

Billy Childish “Toni Kurz Descending”

“You have to have the guts to engage with your own spiritual journey, which is what life is for. It can be reflected in art, but art won’t take you there on its own. It’s not good enough. You actually have to use your inquiring mind and question yourself and the bullshit of things. You have to avoid getting tied up in intellectual and ironic gameplay, which will not liberate you. We want freedom, we want liberation, and you’re not going to get it in postmodernism. You’re going to get it through authentic engagement.”

-Billy Childish

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O'Keeffe-(hands)

Alfred Stieglitz “Georgia O’Keeffe, Hands, 1918”

“It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes ‘art’ in time.”

-Alfred Stieglitz 

fairy-tale-of-the-dwarf-1925(1).jpg!Large

Paul Klee “Fairy Tale of the Dwarf”

“My hand is entirely the implement of a distant sphere. It is not my head that functions but something else, something higher, something somewhere remote. I must have great friends there, dark as well as bright… They are all very kind to me.”

-Paul Klee