ART QUOTES: Taurus Artists

Joan Miro “The Bull Fight”

“The picture should be fecund. It must bring a world to birth.”

-Joan Miro

Joan Miro wrestles with sculpture

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I don’t believe the stars control our fates, or can be used to tell our fortunes. But life has proven to me again and again the time of year a person is born does seem to influence their personalities.

Why would this be the case? I have no idea. But my observations show me the universe is full of patterns, cycles, all evidence of the great underlying order beyond our limited human perceptions. The pseudo-science of astrology is the result of centuries of study on human behavior. Somehow we find echos of our souls projected out into a cosmic scale; around and around we all go, playing our variations of the 12 eternal roles manifested in symbols of animals, mythical beasts, and human archetypes.

We are now in the time of Taurus (April 21 – May 21). They are symbolized by the bull, a summation of their temperament: a powerful beast, earthy, persistent, often placid, but capable of being provoked into an element rage.

Taurus  Traits

  • Determined
  • Practical
  • Patient
  • Down to earth
  • Stubborn
  • Self Indulgent

Can you see the Taurus personality reflected in the work and words of these artists?

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Bridget Riley “Movement in Squares”

“It seems the deeper, truer personality of the artist only emerges in the making of decisions… in refusing and accepting, changing and revising.”

-Bridget Riley

Bridget Riley at work, 1963

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Salvador Dali “The Old Age of William Tell”

“Give me two hours a day of activity, and I’ll take the other twenty-two in dreams.”

-Salvador Dali

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Keith Haring “Untitled”

“My contribution to the world is my ability to draw… Drawing is still basically the same as it has been since prehistoric times. It brings together man and the world. It lives through magic.”

-Keith Haring

Keith Haring, at one with his work

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Willem de Kooning “Woman with Bicycle”

“I make pictures and someone comes in and calls it art.”

-Willem de Kooning

Willem de Kooning takes a smoke break

ARTICLE: Can You Get Away With It? Then It Was Probably Art This Year

Spaced

The art world is Spaced out

GIVING CON ARTISTS A BAD NAME: Article on Can You Get Away With It? Then It Was Probably Art This Year

Lots of what’s wrong with the art world is touched on in the article linked above, albeit somewhat unwittingly.

The assumption that art isn’t something worth being passionate and committed about: “Can you imagine anyone in today’s art world getting that worked up?”

The emphasis on marketing: “If there are trends, they appear to be more about the presentation of the art and how it’s consumed than about content”

Cloying elitism: “Everyone who is anyone – meaning collectors and curators – is always jetting off somewhere else to see and buy.”

Attempted accountability dodging by artists: “…new artists are sidling up to their own buzzword: provisional.”

Sycophantic emphasis on insider power games: “Koons is in a position…to demand whatever he wants from the art-world infrastructure.”

A jaded attitude towards towards the irrelevant train wreck the visual arts have become in our culture: “These days, diffidence is the default aesthetic response…”

What the author is describing is the decadent behavior of a tiny clique that has declared itself “the art world.” They presume to speak for us all, and this arrogance, weakness, hedging, brown nosing, and posing is what they have to offer?

Pathetic. We can do much better than this.

The author, James Adams, begins the article with a little anecdote about painter Willem De Kooning angrily confronting Andy Warhol about the evil banality of Pop Art. The author’s intent was to illustrate how out of touch De Kooning was.

I see in this vapid little puff piece of establishment flattery as the equivalent of De Kooning’s tirade. The cultural momentum in the 1960s was shifting from Modernism to Postmodernism, and the old guard were trying to shore up their status against the newcomers, to no avail.

The same dynamic is unfolding now, as the delusions of Postmodernism fail and fade, reduced to a mere conceptual trinket for cloistered, pretentious intellectuals. The rise of Remodernism engages art with the mass audience again, celebrating creativity as an expression of spiritual connection and communion. The empty mind games of Postmodernism don’t stand a chance in comparison to the return of art as a means joyous universal communication.

So the author, part of the contemporary old guard, does his best beta male version of an attack: a passive aggressive paean to how ironic and cool he and his cronies are.

He might sneer about De Kooning rolling over in his grave, but James Adams and Postmodern apologists of his ilk are the ones whistling past the graveyard now.