Graphically Dull: The Stilted Stylings of Turner Prize nominee Forensic Architecture
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“The beginning of wisdom is the definition of terms.”
― Socrates
It’s that time again. Time for ruling class apparatchiks to announce the latest slate of non-artists to be nominated for what is advertised as a prestigious award for art:
THE GUARDIAN: Turner prize shortlist pits research agency against film-makers. “A research agency that investigates international crimes and injustice, and comprises architects, film-makers, archaeologists, investigative journalists, lawyers and scientists, has been nominated for the 2018 Turner prize. Forensic Architecture, which has about 16 members and is based at Goldsmiths, University of London, will compete for the 33rd edition of the prize against three solo artists – Naeem Mohaiemen, Charlotte Prodger and Luke Willis Thompson.The list is more overtly political than in previous years, featuring artists tackling issues of post-colonialism and migration, queer identity, human rights abuses and racial violence. Once again, it raises questions about what precisely art is. The three solo artists primarily use film, whether shot on 35mm or iPhone.”
Over in the UK, the Tate Museum’s Turner Prize is one of those self-serving yearly events elitists create to congratulate themselves for extreme cleverness. Named after an actual artist, the great English painter J.M.W. Turner, this supposed recognition of achievement is anything but. First awarded in 1984, the Turner Prize has degenerated into the establishment’s way of trying to enforce pointless Postmodernism as the standard for contemporary art. It’s almost like they purposely look for the most numbskull non-art possible to distort the public’s perception of what art is, and what it does.
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.If wisdom begins with the definition of terms, what do you call efforts to deliberately lie about what those definitions actually are? The manipulation of our shared understanding is too calculated to be merely inept; too consistent to be ascribed to simple ignorance; too debased to be just misguided. There is strategy here, relentlessly advanced and ferociously enforced.
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Misdirection is at the core of the whole rotten Postmodern gambit. “Who is there among you, who, if his son. asks him for bread, will give him a stone?” The contemporary technocratic managerial class, that’s who. Our culture is saturated with globalist diktats that are fundamentally at odds with reality. They not only give us stones for bread, they give us leftist activism in place of art, and tell us to swallow it.
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The art world makes a great example of the failure of elitist equivocations, because it exposes the lies with visual evidence. In their latest event to assure us that 2 + 2 = 5, the Tate scraped up some real scintillating content. Take for example the Guardian’s article headliner, Forensic Architecture. As their website describes:
Surely if a conservative group cobbled together similar graphics for their cause of choice – say, anti-abortion – the art would never be considered for the Turner Prize. This lets us know it’s the politics, and not the “art” that is the key. One needs to have the correct beliefs, or else you are out. We should therefore assume that political activism IS ART (assuming, of course, it is activism for the right cause).
YUCK! AAAAAAAAAH! An artist must understand that his or her work needs to articulate the correct political beliefs, must actively be about politics and be a part of a social revolution, to be taken seriously. Art is completely subordinated to a political movement, and this doesn’t raise a red flag (with a hammer and sickle on it?).
I agree that it looks like the prize is being used this year to cram a political agenda down the public throat. The idea that art must serve a give political agenda or be dismissed should be a bit frightening, camrades. Artists are now conscripted into someone else’s ideological war.
Seriously FUCK THAT! My reaction is to be a-political or anti-political, for art to stand up against indoctrination or forced conscription into an ideological paradigm or social movement. I thought artists were non-conformists and individuals, not dutiful cadres serving the cause of enforcing a new world order. And I’m concerned that some of the most gruesome social revolutions of the last century, with the highest death tolls of innocents, were for the ostensible good of the common man. The moral righteousness required of contemporary art may signal a growing authoritarianism. Not only must you NOT make art that goes against the cause, you must openly support the cause. No thanks. I smell blood.
That said, I’m not necessarily really comfortable with your definitions of what art is, either. I’d say art is any creative enterprise in which the author communicates something substantive. It an artist decides to collect empty water bottles and fashion something out of them and the labels, OK, I’m game, let’s see what he or she does. Postmodernism isn’t entirely bad. “The Simpsons” and “Family Guy” heavily employ Postmodernist techniques of borrowing from popular culture, juxtaposing and collaging disparate sources borrowed from popular culture, and weaving them into a new fabric. Of course Postmodernism goes to far, as we are always prone to reductionism, and the pendulum swinging too far in this or that direction. So, for example, I get pissed off when conceptualists say that painting is dead, but I also wouldn’t say that Andy Warhol isn’t art. He’s not in my top 100 artists, but it’s art. I wouldn’t write off that people can make meaningful art with unconventional techniques that incorporate bits from popular culture, employ irony, and so on.
Cheers
Thanks for sharing your thoughts, lots there to consider
Reblogged this on pundit from another planet.
Robert Conquest added the slogan that Orwell, in 1984, “unaccountably failed to include”. As well as “War is Peace”, Freedom is Slavery” and Ignorance is Strength”, the totalitarians always assert:
Quote: The three solo artists primarily use film, whether shot on 35mm or iPhone.”
Gosh, I didn’t know my iPhone used film. I must be near the end of the role by now. Where do I install a new roll? Where is the button I push to pop it open?
I think this writer meant to say “pictures” rather than “film.”
Wow, thanks for sharing!
That’s brilliant!
Good thing journalists have all those layers of editors and fact checkers
Turners painting are beautiful. The stuff depicted above is at best mildly disquieting. Hardly surprising since post-modernism rejects the very existence of beauty. Strangely they do seem able to recognize the hideous and the ugly and venerate it.
Acceptance of unlovely modern art is a consequence of the human vice illustrated in Hans Christian Anderson’s allegorical fable “The Emperor’s New Clothes.”
Modern art was created by artists who could not succeed as regular artists.
They are trying to make art into something unappealing and inaccessible, a real crime against humanity
A great analogy. His story “The Nightingale” is also very relevant.
They definitely tried to change the rules to suite themselves
Queer art prize
Very strange
[…] comes this article, which looks at post-modernism’s more deadly […]
[…] Modern art is shit – Activist art exposed as an elitist bait and switch. […]
A few quick thoughts:
I’m doing well.
Tom Wolfe is dead. I read “Electric Cool Aid Acid Test” many years ago, but I didn’t understand it for years; my fault not his.
How did the collaboration end up?
Last but not least a humble parable about the “world of art” from a great post modern neo classical philosopher!
Thanks for sharing!
Thanks for sharing!
Glad you are well. I do need to put up the final collaboration post, we recently showed it at an exhibit. That was funny, thanks for sharing!
[…] Redefining art as just another form of leftist political activism is one of the establishment’s most tedious assaults on the culture. A man named Domenic Esposito is taking a very serious issue and says he wants to draw attention to it by the means of art, but there is something off about the pitch. […]
[…] ARTICLE: Activist Art Exposed as an Elitist Bait and Switch […]