STUDIO: A New Painting in Progress, Part 2: In the Belly

In the Belly

Evolving Imagery

I am currently at work on my latest large scale piece-large for me being in this case 30″ x 40″. In my previous post, I showed the first crude underpainting for a piece that I will be working on for the next several months.

These images show the progression.

Even though my paintings originate in inspirational visions, where I am shown what the imagery needs to be, it’s up to me to make that image appear through painterly technique. It’s hard to translate the subtlety of thought into tangible forms. But that is the fun and challenge of being an intuitive painter.

I don’t make preparatory drawings to figure out compositions. I paint the picture directly out onto the canvas. My process involves lots of editings and revisions along the way.

Having Jonah in there is vital to this work. This is how I put him in initially.  The painting has changed greatly from these early stages.

 

As I state in my book, Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization: 

Making a painting becomes more than just a matter of how to represent something. It symbolizes the artist’s engagement with life. We want so much to make an image that says, “This is who I am, and this is what I saw.”

When we do it right, everyone who sees it will find that image inside themselves as well. It becomes a moment we share, and which can be visited over and over, with new understandings always unfolding. This is the power of art.

Ultimately a painter doesn’t replicate the real world, but creates a world in the painting that exists nowhere else. There are no limits for a painter; every decision in the work can be freely made to best suit the desired result.

Watch this space for further updates!

 

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STUDIO: A New Painting in Progress, Part 1: In the Belly

 

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a paintingPlease send any inquiries to info@remodernamerica.com. Thank you!

The Ace of Spades HQ Mid-Morning Art Thread is Fighting the Culture War

 

Art is for Morons at AoSHQ 

Art

Long before a certain drunken would-be tyrant segregated huge segments of Americans into a basket of Deplorables, some brave souls had already self-identified as a Moron Horde.

This endearment refers to the proud followers of the mighty  Ace of Spades HQ blog.  It’s a site I visit multiple times daily, eager for the latest sardonic commentary on the news of the day. The humor there is biting, the wit caustic, the tone irreverent. Ace is a nice counterbalance for all the serious yet prim hot takes offered throughout so many other sites of the conservative blogosphere. Because despite it’s studiously immature style, the analysis on Ace is sharp and illuminating. Its consistent disrespect towards pretentious elites is a fine old American tradition, and is especially needed these days, as we enter a new phase of the existential struggle for the future of this nation.

As an artist, a regular feature of Ace caught my attention. It’s called the Mid-Morning Art Thread. Usually on weekday mornings, after an effective aggregate of the daily news arranged by moderator J.J. Sefton, another moderator, CBD, posts an image of a work of art to start a new thread. (CBD stands for “Charlie Brown’s Dildo.” That’s a mental image I work very hard to resist.)

A great range of works have been displayed, from Old Masters to art of this century, and everything in between. Occasionally a contributor named Kris will add some intelligent art historical analysis of the piece. The self proclaimed Morons are free then to comment, though it is requested the first 100 comments stay on the art topic at hand. Once a new thread gets started later in the day, comments are closed for the Art thread, so time is short. Being Ace, the commentators don’t hold back.

The art works offered up inspire snap judgments, a whole range of reactions: praise, abuse, informed anecdotes, puns, limericks, lewdness, inside jokes and pop culture references all appear in rapid fire succession. It’s endlessly entertaining. But I feel there’s something important happening here, mixed in with the calls for “more bewbs” and warnings about where snipers might be concealed in the artistic scenery.

I’ve written before about how the Postmodern establishment is working hard to exterminate the experience of real art from our culture. They believe, correctly, that losing art will undermine our society, and make us easier to control. They have been hugely successful.

For example: Quick, name your favorite living American artist.

If you are like most people I’ve met from outside the art bubble, you can’t do it. You don’t have one. Elitist mismanagement has marginalized the arts in the West, and caused a crisis of relevance. We have not lost art, it has been stolen from us.

Part of this theft is to cut us off from our artistic heritage, the art of more creatively accomplished ages not degraded by the Postmodern disease. Per the latest corrupt Ivy League agenda, the soaring achievements of the past are now nothing but grist for the grievance mill, yet another field to be choked out by Wokeness.

Another part of the stealing of art has been accomplished by over-intellectualizing it. The assumptions of academia have indoctrinated us all into the “correct” ways to think about art. This pedantic approach is used as a weapon to convince people art is not for them, just because they don’t “get” the pieces of politicized crap our cultural institutions have inflicted on us as surrogates for real art.

The Mid-Morning Art Thread is a remedy to that totalitarian snobbery. It gives us a straightforward presentation of our legacy, offered up freely to the public for their insights, appreciation or rejection, no Yale stamp of approval needed.

People don’t need to “get” real art; you experience it. It’s a visceral reaction, open to everyone. Honestly it’s probably impossible to put into words just why it makes you feel the way you do, but you know it when you see it. The more you see of it, the richer your life becomes.

The elites want you to live in spiritual poverty. By consistently putting artworks in front of an audience that might not have realized how art is vital to their human development, the Ace Mid-Morning Art Thread is creating wealth beyond measure. These sarcastic Moron pundits are doing their part to carry on the glory of Western Civilization, at the same time our ruling classes are doing their worst to try to bring it down.

As I state in my book, Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization: 

Postmodernism has been a Trojan horse for the same old power games that have kept humanity at bay for eons. Postmodernism is a betrayal of America’s ideals and accomplishments; Postmodernism has caused much damage acting treacherously from inside our own cultural institutions.

The elites had a great vision for America. They would wreck our culture and trash our heritage, and be the managers over our decline. They’ve been implementing their program for at least 100 years. However, in their long march through the institutions, they overlooked part of what makes America unique. We aren’t compelled to follow our “leaders.” We definitely aren’t going to follow them off a cliff.

Many compare the United States to earlier empires that declined and fell. The familiar pattern is happening here and now. Elitist mismanagement and ennui is encouraging social breakdowns. History demonstrates it’s only a matter of time until the barbarians overrun their dominion. The existing society will be overthrown by primitives from outside the complex system of assumptions and niceties cherished by the ruling class.

The great news is, here in the United States, we are our own barbarians. Understand the current upper echelons are predominately not representative of the American way of life. They’ve been compromised by Postmodern delusions about their own omnipotence, and it’s ruined them. They should have studied Classical literature. It clearly warns about the perils of hubris.

To these upper crust pretenders, nothing is more backwards and uncivilized than their own fellow citizens, who cling to such notions as God, guns, and honor. Yet these traditional Americans are exactly the people who are best positioned to put an end to the current elitist shenanigans for good. Far from not understanding their Postmodern poses, we understand them all too well.

It will be traditional Americans who rise up to clear away the rubble of the establishment’s failures and decadence. America has an amazing record of achievement, when we put our values into action. We have the wisdom which Postmodernists thought they were too smart to need.

America isn’t dying. It’s the artificially imposed Postmodern worldview which is disintegrating. Remodern Americans will carry on, better than ever.

 

 

Edit: Welcome Instapundit readers! Please visit other articles for more commentary on the state of the arts. 

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a paintingPlease send any inquiries to info@remodernamerica.com. Thank you!

STUDIO: A New Painting in Progress, Part 1: In the Belly

In the Belly

A New Painting for the New Year

 

I am currently at work on my latest large scale piece-large for me being in this case 30″ x 40″. The image above is my first crude underpainting for a piece that I will be working on for the next several months.

The current subject came to me in a vision, as my imagery often does.

Right now I don’t have to fulfill any commission. I don’t have create a piece for any particular theme show or call for entries. Being so free to choose out of the many painting ideas I have could be challenging. However, as an intuitive artist, I am provided guidance. I know the right idea to proceed with because it’s the one I keep thinking about. I can’t get it out of my mind. I’m going to need to paint it out.

The story of Jonah describes a man who tried to dodge his responsibilities, and wound up being swallowed by a great fish-temporarily. One of my favorite artists, Albert Pinkham Ryder, painted this subject before.

Albert Pinkham Ryder “Jonah”

 

I have visited this theme before, in a small work.

Richard Bledsoe “Leviathan My Friend” acrylic on canvas 12″ x 12″  

2020 looks like it’s going to be the year of getting stuff done. We can’t remain the bellies of the various beast that consume us. We must do the work we are called to. That is the energy I am pouring into this new piece.

It’s powerful theme, that everyone can relate to in some way. As I state in my book, Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization: 

 

 

As I work on the paintings, I come to interpret them. Patrons will often share insights with me on my works as well, telling me meanings that I didn’t even realize, but which become clear once indicated.

Such is the seductive beauty of symbolic expression; even when manifesting universal archetypes, a symbol caresses the spectator in an intimate manner. While symbols can communicate concepts shared in common, each person experiences the thrill of recognition in a unique way, different as fingerprints.

 

I will periodically post updates on this work, and share the progress.

 

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a paintingPlease send any inquiries to info@remodernamerica.com. Thank you!

 

 

Andy Warhol’s Pop Art Christmas Cards

An Andy Warhol Angel 

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“Andy was a Catholic, the ethic ran through his bones/

He lived alone with his mother, collecting gossip and toys/

Every Sunday when he went to church/

He’d kneel in his pew and he’d say/

“It’s just work, all that matters is work.” 

-Lou Reed, from Songs for Drella

 

It’s true. Pop artist Andy Warhol, the legendary, ironically blank scenester, was also a devoutly religious man. He attended church faithfully, volunteered in soup kitchens, and made a late body of Christian themed works that have been largely overlooked by the hostilely secular art world.

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Warhol Meets Pope John Paul II, 1980 

As a person of faith, Warhol used his artistic skills to celebrate Christmas. Before Andy found fame in the gallery scene, he was a successful commercial artist. From 1956-1962 he produced box sets of Christmas cards sold by Tiffany’s. He rendered these as quirky doodles, far removed from the slick screen  prints he’s known for.

Here are just a few examples of Warhol’s holiday spirit.

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c

Christmas

Christmas

Christmas Cards 

 

As I state in my book, Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization, Warhol left a mixed legacy:

“As the prophet of the Postmodern, Warhol was another harbinger of the mess of a culture we are currently slogging through. It’s not his fault. Do you blame a reporter for the news he covers? The cultural traits Warhol portrayed didn’t start with him. He fulfilled the role of the artist giving us foresight into the culture’s momentum.”

1978: Truman Capote and Andy Warhol Celebrate the Season

Maybe a Little Too High Spirited 

But I like to think behind the facade of celebrity and detachment, there was the real human Andy, who celebrated Christ’s birth with sincere joy.

Merry Christmas!

An Andy Warhol Nativity 

 

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a paintingPlease send any inquiries to info@remodernamerica.com. Thank you! 

 

 

STUDIO: Highlights from my Image Morgue

Inspiring Imagery Fuels the Image Bank in my Mind 

 

An update of an earlier post on how I collect the images I need to create my work:

 

STUDIO: The Image Morgue (May 20, 2016) 

These fragments I have shored against my ruin: a sample of my reference material

“The model is not to be copied, but to be realized.”

-Robert Henri

In painting, there really are no rules. But understanding painting as I do, there is a prevalent practice these days which I find completely undermines the integrity of the act.

Projector artists. Artists who cheat themselves and their audience by projecting an image onto their canvas and doing a paint-by-numbers routine to create their works. Artists like this have reduced themselves to a mere cog in a mechanical reproduction process, not creating, but taking dictation from their gadgets. They let their tools make their discoveries for them. It is an inferior mode of creation.

If you’re an artist, do your own rendering.

Now I am not rejecting the use of source material. I learned the hard way, through years of artistic practice, I lack the omnipotent powers of observation and recall to paint strictly out of my own mind and produce the results I want.

How do a frog’s legs attach to its body? How many wings does a mosquito have? What is the musculature of a horse? These are just some of the composition problems I have encountered. I can’t see clearly enough into my memory to reach the level of realism I want in my paintings.

So I use source material. Not all the time, but when it’s important to get something right, and I can’t summon the depth of detail I’d like to. When needed, I find photographs on the internet of what I want to portray, print them out, and study them.

But then-and this is the really important part-I put the photograph down, and paint what I remember about it, what I learned about it.

The image passes through the filters of my consciousness and becomes more me. And that is vital in art: depicting your own unique sensibility…

x

I’ve been busy since I wrote that post, I’ve made many paintings, and envisioned many more.

This morning I added a picture to my digital image morgue folder for a new painting I’m contemplating. I haven’t printed it out yet because the painting is not yet begun:

  Ancient Olive Tree

 

I started browsing through the folder. Some of images have been used in paintings, possibly in ways you’d never recognize. Others were more particular and identifiable. I wanted to share this window into the workings of my creative procedures. These are some of the pictures which have caught my attention, out of the endless resources of the internet.

 

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x

x

 

x

 

x

 

As I state in my book, Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization, art isn’t about just reproducing appearances.

 

Making a painting becomes more than just a matter of how to represent something. It symbolizes the artist’s engagement with life. We want so much to make an image that says, “This is who I am, and this is what I saw.”

When we do it right, everyone who sees it will find that image inside themselves as well. It becomes a moment we share, and which can be visited over and over, with new understandings always unfolding. This is the power of art.

Ultimately a painter doesn’t replicate the real world, but creates a world in the painting that exists nowhere else. There are no limits for a painter; every decision in the work can be freely made to best suit the desired result.

 

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a paintingPlease send any inquiries to info@remodernamerica.com. Thank you! 

PAINTINGS: In the Night

Richard Bledsoe “In the Night” acrylic on canvas 20″ x 24″ 

 

From the Remodern America Manifesto:

Art is a more enduring and vital human experience than the power games of a greedy and fraudulent ruling class. The managers crashed the culture in pursuit of their agenda. They defend their usurped authority and privileges with doublethink, misdirection, and intimidation. Their time has run out. Reality is crashing back through their carefully constructed facades, and a time of reckoning has come. Enduring changes start in the arts. Remodernism defeats Postmodern desecration.

 

-Excerpt from

Remodern America: How the Renewal of the Arts Will Change the Course of Western Civilization

by Richard Bledsoe.

 

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a painting. Please send any inquiries to info@remodernamerica.com. Thank you! 

 

ART QUOTES: Virgo Artists

Louise Nevelson “Night Flight #1”

“Creation is always kind of innocent and refreshing… always virginal to me… and it’s always a surprise. “

-Louise Nevelson (Born September 23, 1899)

x

I don’t believe the stars control our fates, or can be used to tell our fortunes. But life has proven to me again and again the time of year a person is born does seem to influence their personalities.

Why would this be the case? I have no idea. But my observations show me the universe is full of patterns, cycles, all evidence of the great underlying order beyond our limited human perceptions. The pseudo-science of astrology is the result of centuries of study on human behavior. Somehow we find echos of our souls projected out into a cosmic scale; around and around we all go, playing our variations of the 12 eternal roles manifested in symbols of animals, mythical beasts, and human archetypes.

 

We are now in the time of Virgo (August 23-September 23). They are symbolized by a maiden gathering wheat, a summation of their temperament: a reserved, industrious gleaner and organizer.

Virgo  Traits

  • Analytical
  • Organized
  • Modest
  • High Strung
  • Critical
  • Perfectionist

Can you see the Virgo personality reflected in the work and words of these artists?

x

 

Margaret Keane “The Stray” 

“I’d rather be home alone, painting.”

-Margaret Keane  (Born September 15, 1927)

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x

Jacob Lawrence “The Seamstress”

“When the subject is strong, simplicity is the only way to treat it.”

-Jaconb Lawrence (Born September 7, 1917)

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Jean-Auguste-Dominique Ingres “Grande Odalisque”

“The chief consideration for a good painter is to think out the whole of his picture, to have it in his head as a whole… so that he may then execute it with warmth and as if the entire thing were done at the same time.”

Jean-Auguste-Dominique Ingres (Born August 29, 1780)

 

Jean Arp “Man, Mustache, Navel”

“Ever since my childhood, I was haunted by the search for perfection. An imperfectly cut paper literally made me ill. I would guillotine it.”

-Jean Arp (Born September 16, 1886) 

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Maurice Quentin de La Tour “Self Portrait” 

“It is maintained the painters see the same object differently, for example in respect to color, and that due to this variation in their vision one can immediately recognize their works, even from a distance.”

-Maurice Quentin de La Tour (Born September 5, 1704) 

 

Previous Zodiac Art Quotes:

Taurus Artists

Sagittarius Artists 

 

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I don’t fundraise off of my blog. I don’t ask for Patreon or Paypal donations. If you’d like to support the Remodern mission, buy a book. Or a paintingPlease send any inquiries to info@remodernamerica.com. Thanks! 

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